Michael C. Frank and Eva Gruber: Literature and Terrorism: Introduction The Emergence of the Terrorist in Fiction: Literary-Historical Approaches Gudrun Braunsperger: Sergey Nechaev and Dostoevsky’s Devils: The Literary Answer to Terrorism in Nineteenth-Century Russia Michael C. Frank: Plots on London: Terrorism in Turn-of-the-Century British Fiction Hendrik Blumentrath: Enmity and the Archive: Aesthetics of Defiguration in Literature and Criminology, 1900/1970 Pre- and Post-9/11 Representations of Terrorism in Fiction: Continuities and Breaks Eva Gruber: Narrating Terrorism on the Eve of 9/11: Ann Patchett’s Bel Canto Martina Wolff: Self, Identity and Terrorism in Current American Literature: American Pastoral and Terrorist Roy Scranton: The 9/11 Novel and the Politics of Narcissism Margaret Scanlan: After the Apocalypse: Novelists and Terrorists since 9/11 Michael König: Literary Accounts of Terrorism in Recent German Literature: An Attempt at Marginalization? Narrativizations of Terror: Media and Modes, Plot and Form Ulrich Meurer: Double-mediated Terrorism: Gerhard Richter and Don DeLillo’s “Baader-Meinhof” Kirsten Mahlke: A Fantastic Tale of Terror: Argentina’s “Disappeared” and Their Narrative Representation in Julio Cortázar’s “Second Time Round” Georgiana Banita: Middle Hours: Terrorism and Narrative Emplotment in Andre Dubus III’s The Garden of Last Days The Question of Genre: Drama and Narrative Literature after 9/11 Marie-Luise Egbert: Narratives of Terror: A New Paradigm for the Novel? Herbert Grabes: The Impact of “September 11”: Dramatic and Narrative Creations Notes on Contributors Index