Higher Flight Refocusing Black/Africana Studies for the 21st Century
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James B. Stewart is Professor Emeritus of African and African American Studies at Penn State University, USA. He previously served as Vice Provost for Educational Equity and Director of the Black studies Program at Penn State, as President of the National Council for Black Studies, as President of the Association for the Study of African American Life and History, and as Editor of The Review of Black Political Economy. He has published numerous articles and books, including the field-defining Introduction to Black Studies: Transdisciplinary Approaches and Implications (1992) and Flight in Search of Vision (2004).<i>Higher Flight</i> is a sequel well worth the wait. Stewart courageously interrogates the in-vogue poststructuralism of contemporary Africana Studies research by recentering the incongruency between conceptual analyses and the social scientific data concerning Black Americans. In chapter after chapter, James B. Stewart overwhelms the reader with his transdisciplinary competence. Higher Flight studies Black folk through a masterful weaving of philosophy, aesthetics, economics, sociology, and history. A tapestry emerges under the force of Stewart’s pen—a text detailing the nuance and complexity of Black life and death, rather than the interpretive predetermination of Blackness commonly produced through Eurocentric theories. Stewart’s book is a timely commentary on the future of Black/Africana Studies and the role theoretical innovations such as Africana womanism, Black Male Studies, and Afrocentricity have in empowering Black people throughout the 21st century.
Professor Tommy J. Curry, Personal Chair of Africana Philosophy & Black Male Studies, University of Edinburgh, UK
James B. Stewart's <i>Higher Flight</i> offers a comprehensive and creative conceptualization of the field of Black Studies. The book is a must read for scholars interested in understanding the past, present, and future of the field. Masterfully written and brilliant!
Derrick P. Alridge, University of Virginia, USA
In this open access book, pre-eminent scholar and activist James B. Stewart offers a much-needed critical assessment of the current state of Black/Africana studies. In three equally groundbreaking sections, Stewart clarifies and refines the distinctive approaches that currently define the field; shows how creative production in particular can serve as a unique means of cultural analysis and political mobilization; and suggests how to restore the balance between intellectual inquiry and direct action in order to improve the actual lived experiences of people of African descent. Each section incorporates various forms of expression, including Stewart’s essays, speeches, and poems, and the book as a whole covers a vast range of figures, issues, and phenomena, from W.E.B, Du Bois to James Baldwin, from conscious hip-hop to the Black Lives Matter movement, from Hurricane Katrina to Covid-19, and very much in between.
Written with an accessible authoritativeness few Black/Africana scholar-activists can match, Stewart offers a must-read not only for researchers, but also for graduate students and advanced undergraduate students interested in Black/Africana studies, diaspora studies, ethnic studies, Black womanist/feminist studies, and American studies, as well as in African American history, culture, politics, economics, literature, and philosophy.
The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by the Bloomsbury Open Collections Library Collective.
Introduction
Forgotten Trees?
Introduction
Part 1: Transdisciplinary Theoretical and Methodological Trajectories
1.Pursuit of Knowledge?
2.Prologue
3.Du Bois’s The Negro and Contemporary Black/Africana Studies
4.Black/Africana Studies, Then and Now: Reconstructing a Century of Intellectual Inquiry and Political Engagement, 1915-2015
5.Art, Politics, Cultural Studies, and Post-Structuralist Philosophy in Black/Africana Studies: Deciphering Complex Relationships
Part 2: In Search of Progressive Cultural Production
6.Streaming to Nowhere
7.Prologue
8.Neutering the Black Power Movement: The Hijacking of Protest Symbolism
9.“Until Justice Rolls Down Like Water and Righteousness like a Mighty Stream: The Celebration of
10.Black Life in the Music of Mausiki Scales and the Common Ground Collective
11.“I Think We Killed Bigfoot”-- Conscious Rap Music in the Pacific Northwest: Introducing “The Rhetorician”
12.No More Water, The Fire This Time! Channeling James Baldwin’s Perspectives on History and Identity to Pursue Racial Equity in the 21st Century
13.Does Anyone Know My Name? Resurrecting the Artistic Activism of Paul Robeson
Part 3: Advancing the Global Liberation Struggle
14.Social Inactivism (poem)
15.Reparations Now!!! (poem)
16.Prologue
17.Onward Africana Women Warriors!
18.The Institutional Decimation of Black Males: A Trans-Atlantic Perspective
19.Resocializing Gang Bangers: A Comprehensive Strategy to Promote Violence Reduction and Community Reintegration
20.Globalizing Black Identity: Challenges and Possibilities for Developing Liberatory Coalitions
21.Still Seeking Forty Acres and a Mule: Tracking the Global Reparations Movement
22.Showdown at the Crossroads?: Technology Development, Cyberspace, Liberation, and Identity Construction
23.Searching for Wakanda: Understanding and Mastering Liberatory Technologies
Conclusion
A Higher Flight to Liberation: Don’t Let Them Clip Our Wings!