Turning Points in Qualitative Research Tying Knots in a Handkerchief
Produktdetaljer
Om bidragsyterne
Norman K. Denzin is professor of sociology and communications at the University of Illinois at Urbana-Champaign. He is co-editor of The Handbook of Qualitative Research, 2/e, co-editor of Qualitative Inquiry, editor of Cultural Studies—Critical Methodologies, and series editor of Studies in Symbolic Interaction; Yvonna S. Lincoln is Professor of Higher Education and Human Resource Development. She is the co-author of Effective Evaluation, Naturalistic Inquiry, and Fourth Generation Evaluation, the editor of Organizational Theory and Inquiry, the co-editor of the newly-released Handbook of Qualitative Research, 2nd Edition, and co-editor of the international journal, Qualitative Inquiry.Part 1 Part One: The Revolution of Representation
Part 2 Feminist and Race/Ethnic Studies Discourses:
Chapter 3 1. Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective
Chapter 4 2. Toward an Afrocentric Feminist Epistemology and Ethics
Chapter 5 3. Defining Feminist Ethnography
Part 6 The Subaltern Speaks:
Chapter 7 4. I, Rigoberta Menchu: An Indian Woman in Guatemala
Part 8 The "Voice From Nowhere" Gets to Speak: Autoethnography and Personal Narratives
Chapter 9 5. The Way We Were, Are, and Might Be: Torch Singing as Autoethnography
Part 10 Part Two: The Revolution in Authority
Chapter 11 6. On Ethnographic Authority
Part 12 Part Three: The Revolution of Legitimation
Chapter 13 7. Thick Description: Toward an Interpretive Theory of Culture
Chapter 14 8. Quality in Qualitative Research
Chapter 15 9. Issues of Validity in Openly Ideological Research: Between a Rock and a Soft Place
Part 16 Part Four: The Ethical Revolution
Chapter 17 10. Ethics: The Failure of Positivist Science
Part 18 Part Five: The Methodological Revolution
Chapter 19 11. Interviewing Women: A Contradiction in Terms
Chapter 20 12. On the Use of Camera in Anthropology
Chapter 21 13. Taking Narrative Seriously: Consequences for Method and Theory in Interview Studies
Chapter 22 14. Representing Discourse: The Rhetoric of Transcription
Part 23 Part Six: The Crisis in Purpose: What is Ethnography For, and Whom Should it Serve?
Chapter 24 15. Can Ethnographic Narrative be a Neighborly Act?
Chapter 25 16. Rethinking Ethnography: Towards a Critical Cultural Politics
Part 26 Part Seven: The Revolution in Presentation
Chapter 27 17. Writing: A Method of Inquiry
Part 28 Performance Ethnography and Ethno-drama:
Chapter 29 18. Performing as Moral Act: Ethical Dimensons of the Ethnography of Performance
Chapter 30 19. The Theater of Ethnography: The Reconstruction of Ethnography into Theater With Emancipatory Potential
Part 31 Poetics - Anthropological and Ethnographic:
Chapter 32 20. Reflections: The Anthropological Muse
Part 33 Part Eight: The Future of Ethnography and Qualitative Research
Chapter 34 21. Personal Narrative, Performance, Performativity: Two or Three Things I Know for Sure
Chapter 35 22. Performance, Personal Narratives and the Politics of Possibility
Chapter 36 23. The Anthro in Cali
Chapter 37 24. Shaman
Chapter 38 Tango for One
Qualitative methods are material and interpretive practices. They do not stand outside politics and cultural criticism. This spirit of critically imagining and pursuing a more democratic society has been a guiding feature of qualitative inquiry from the very beginning. The Crossroads in Qualitative Inquiry series will take up such methodological and moral issues as the local and the global, text and context, voice, writing for the other, and the presence of the author in the text. The Crossroads series understands that the discourses of a critical, moral methodology are basic to any effort to re-engage the promise of the social sciences for democracy in the 21st Century. This international series creates a space for the exploration of new representational forms and new critical, cultural studies.
Series Editor: Norman K. Denzin, Yvonna S. Lincoln