<p>'This volume explores connections between media representations, global migrants, and perceptions upheld and challenged by viewers in the UK and Italy during the 2010s. The text oscillates between chapters that unpack issues like "white amnesia" and "postcolonial innocence" among white, Western viewers, and brief "interlude" chapters that convey migrants’ insights into navigating different media perspectives and experiences within their new settings. For instance, the authors note a shift from print to new media consumption that necessitates steady access to the internet and mobile technology, which flies in the face of stagnant images of migrants as "not entitled" to such technology, further limiting their access to and sharing of information. Ultimately, the authors call for building international systems to disrupt the willful "forgetting" of interconnected global histories fueling migrants’ voyages, and to help them thrive in their new countries. This book could be useful for courses in political science, media studies, communications, and ethnic studies. Visual pairings might include pertinent excerpts from British and Italian newscasts from the period, along with relevant news articles and online posts, with the potential to integrate these media into a reflective "migrantification" assignment.'<br /><i>CHOICE</i></p>

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The book explores how we understand global conflicts as they relate to the “European refugee crisis”, and draws on a range of empirical fieldwork carried out in the UK and Italy. It examines how global conflict has been constructed in both countries through media representations – in a climate of changing media habits, widespread mistrust, and fake news. In so doing, it examines the role played by historical amnesia about legacies of imperialism – and how this leads to a disavowal of responsibility for the causes why people flee their countries. The book explores how this understanding in turn shapes institutional and popular responses in receiving countries, ranging from hostility—such as the framing of refugees by politicians, as 'economic migrants' who are abusing the asylum system; to solidarity initiatives. Based on interviews and workshops with refugees in both countries, the book develops the concept of “migrantification” – in which people are made into migrants by the state, the media and members of society. In challenging the conventional expectation for immigrants to tell stories about their migration journey, the book explores experiences of discrimination as well as acts of resistance. It argues that listening to those on the sharpest end of the immigration system can provide much-needed perspective on global conflicts and inequalities which challenges common Eurocentric misconceptions. Interludes, interspersed between chapters, explore these issues in another way through songs, jokes and images.
Les mer
Based on interviews and workshops with refugees in both countries, the book develops the concept of “migrantification” – in which people are made into migrants by the state, the media and members of society.
Les mer
List of figuresIntroduction: Conflict, media and displacement in the Twenty-First Century1 How postcolonial innocence and white amnesia shape our understanding of the “refugee crisis”Interlude: Global war and media absences2 War Narratives: Making sense of conflictInterlude: Songs, jokes, movies and other diversions3 Social media, mutual aid and solidarity movements as a response to institutional breakdownInterlude: How it feels to be made a migrant: restrictions, frustration and longing4 The processes of migrantification: how displaced people are made into migrantsInterlude: Telling stories about war differently5 Refusing the demand for sad storiesConclusion: Unsettling dominant narratives about migration in a time of fluxBibliography
Les mer
Has ‘migrant’ become an unshakeable identity for some people? How does this happen and what role does the media play in classifying individuals as ‘migrants’ rather than people? This volume denaturalises the idea of the ‘migrant’, pointing instead to the array of systems and processes that force this identity on individuals, shaping their interactions with the state and with others. Drawing on a range of empirical fieldwork carried out in the UK and Italy, the authors examine how media representations construct global conflicts in a climate of changing media habits, widespread mistrust, and fake news. How media and conflicts make migrants argues that listening to those on the sharpest end of the immigration system can provide much-needed perspective on global conflicts and inequalities. In challenging the conventional expectation for immigrants to tell sad stories about their migration journey, the book explores experiences of discrimination as well as acts of resistance. Interludes, interspersed between chapters, explore these issues through songs, jokes and images. Offering an essential account of the interplay between a climate of diversifying but distrustful media use and uncertainty about the shape of global politics, this volume argues that not only is the world itself changing rapidly, but also how people learn about the world. Understanding attitudes to migrants and other apparently ‘local’ political concerns demands a step back to consider this unstable global context of (mis)understanding.
Les mer

Produktdetaljer

ISBN
9781526138132
Publisert
2020-04-22
Utgiver
Vendor
Manchester University Press
Vekt
313 gr
Høyde
216 mm
Bredde
138 mm
Dybde
14 mm
Aldersnivå
U, P, 05, 06
Språk
Product language
Engelsk
Format
Product format
Heftet

Om bidragsyterne

Kirsten Forkert is Reader in Media Theory at Birmingham City University

Federico Oliveri is Research Fellow at the University of Pisa

Gargi Bhattacharyya is Professor of Sociology at the University of East London

Janna Graham is Lecturer in Visual Cultures at Goldsmiths, University of London