“<i>Abalone Tales</i> shimmers like the mother of pearl in a California Indian necklace. Out from the shadows of the old colonial tradition, the book fulfills the overdue promise of a new collaborative anthropology. It accomplishes this with remarkable intimacy and intelligence, and in so doing gives us new ways of thinking about ethnography, Native America, and the global politics of indigeneity today.”-<b>Orin Starn</b>, author of <i>Ishi’s Brain: In Search of America’s Last “Wild” Indian</i> <i>“Abalone Tales</i> is a fine example of collaborative ethnography. It adds immeasurably to ongoing conversations among anthropologists and other social scientists about the still-emergent possibilities for producing dialogic, collaborative, and ethically responsible ethnographies.”-<b>Luke Eric Lassiter</b>, Marshall University Graduate College

For Native peoples of California, the abalone found along the state’s coast have remarkably complex significance as food, spirit, narrative symbol, tradable commodity, and material with which to make adornment and sacred regalia. The large mollusks also represent contemporary struggles surrounding cultural identity and political sovereignty. Abalone Tales, a collaborative ethnography, presents different perspectives on the multifaceted material and symbolic relationships between abalone and the Ohlone, Pomo, Karuk, Hupa, and Wiyot peoples of California. The research agenda, analyses, and writing strategies were determined through collaborative relationships between the anthropologist Les W. Field and Native individuals and communities. Several of these individuals contributed written texts or oral stories for inclusion in the book.

Tales about abalone and their historical and contemporary meanings are related by Field and his coauthors, who include the chair and other members of the Muwekma Ohlone Tribe; a Point Arena Pomo elder; the chair of the Wiyot tribe and her sister; several Hupa Indians; and a Karuk scholar, artist, and performer. Reflecting the divergent perspectives of various Native groups and people, the stories and analyses belie any presumption of a single, unified indigenous understanding of abalone. At the same time, they shed light on abalone’s role in cultural revitalization, struggles over territory, tribal appeals for federal recognition, and connections among California’s Native groups. While California’s abalone are in danger of extinction, their symbolic power appears to surpass even the environmental crises affecting the state’s vulnerable coastline.

Les mer
For Native peoples of California, the abalone found along the state's coast has remarkably complex significance as food, spirit, narrative symbol, tradable commodity, and material with which to make adornment and sacred regalia. This book examines the cultural, social, and economic importance of abalone among the California Indian tribes.
Les mer
About the Series vii
Acknowledgments ix
Introduction: Why Abalone? The Making of a Collaborative Research Project 1
I. Artifact, Narrative, Genocide
1. The Old Abalone Necklaces and the Possibility of a Muwekma Ohlone Cultural Patrimony 9
2. Abalone Woman Attends the Wiyot Reawakening 50
II. The "Meaning" of Abalone: Two Different Abalone Projects
3. Florence Silvia and the Legacy of John Boston: Responsibility at the Intersection of Friendship and Ethnography 62
4. Reflections on the Iridescent One 84
III. Cultural Revivification and the Species Extinction
5. Cultural Revivification in the Hoopa Valley 109
6. Extinction Narratives and Pristine Moments: Evaluating the Decline of Abalone 137
Conclusion: Horizons of Collaborative Research 161
Notes 173
Bibliography 179
Index 193
Les mer
Examines the cultural, social, and economic importance of abalone among past and present California Indian tribes

Produktdetaljer

ISBN
9780822342335
Publisert
2008-08-29
Utgiver
Vendor
Duke University Press
Vekt
336 gr
Høyde
222 mm
Bredde
156 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
277

Forfatter

Om bidragsyterne

Les W. Field is Professor of Anthropology at the University of New Mexico. He is the author of The Grimace of Macho RatÓn: Artisans, Identity, and Nation in Late-Twentieth-Century Western Nicaragua, also published by Duke University Press, and a co-editor of Anthropology Put to Work.