<i>What is knowledge? It’s somewhere in that mystery of Otherness that contaminates its seekers, Hemer argues. Prowling for weakness on the<br />imaginary fence line between anthropology and literature, Speculative Anthropology sniffs out the haunted ruins of colonial obsessions, scents that still entice and ensnare, even as we disavow them.</i> <b>Anna Tsing, Professor of Anthropology, University of California, Santa Cruz<br /></b><br /><i>The purpose, the author says, is not to look back to his European base, but to permit connections in the global South to challenge<br />disciplinary categories of thought and imagination. A unique study, Hemer’s Speculative Anthropology stages contamination as transgressive<br />and progressive modernity. </i><b>Michael Chapman, Emeritus Professor of English, University of KwaZulu-Natal, Durban</b>
anthropologists like Bronislaw Malinowski and Claude Lévi-Strauss, who were also prominent writers. The discussion continues, and ‘literary anthropology’
is now a well-established sub-field that addresses literary studies as well as creative writing. Yet, anthropology’s courting of literature has largely remained
unanswered. Some famous authors have a background in anthropology, such as Kurt Vonnegut, Ursula K. Le Guin and Amitav Ghosh, but few – one of the
exceptions being Ghosh – have reflected on the relationship between the two practices, let alone consciously attempted to fuse them.
Speculative Anthropology: A Literary History of Contamination explores the ‘intersection’ between anthropology and literature from the literary side, with the perspective of the writer, rather than the critic. The title is inspired by Argentinian author Juan José Saer’s tentative definition of ‘fiction’ as ‘speculative anthropology’ and Ghanaian British philosopher Kwame Anthony Appiah’s similarly tentative proposal for a literary tradition of ‘contamination’,
going back to Roman playwright Terence’s fusion of comedy and tragedy. In this pioneer monograph, Oscar Hemer reinterprets Appiah’s ‘contamination’ as
genre crossing and mixing, not between different literary genres but between fiction and discursive forms of writing – anthropological as well as philosophical
and historical. His tentative ‘canon of contamination’ explored in this volume includes, among others, Montesquieu’s Persian Letters, the ‘self-ethnographies’
of Michel Leiris and Édouard Glissant, Jorge Luis Borges’s ‘fictional essays’, César Aira’s ‘freaked-out ethnography’, Chris Kraus’s ‘theoretical fiction’, Zoë Wicomb’s spectral South African history – and the exemplary philosophy-by-fiction of J.M. Coetzee.
Genre mixing goes back to Roman playwright Terence’s fusion
of comedy and tragedy but in this pioneer monograph, Hemer explores
‘contamination’, not between different literary genres, but between fiction and
discursive forms of writing – anthropological as well as philosophical and
historical.
Points of departure
Chapter 1 Return to letters
Chapter 2 From ethnography to poetics
Interlude Going to the dogs
Chapter 3 Wonderland
Chapter 4 Idleness in the Western Cape
Chapter 5 The heart of Country
Chapter 6 Carrier bags and partitioning
Postlude I Love Chris
Points of no return
References
Index