<i>What is knowledge? It’s somewhere in that mystery of Otherness that contaminates its seekers, Hemer argues. Prowling for weakness on the<br />imaginary fence line between anthropology and literature, Speculative Anthropology sniffs out the haunted ruins of colonial obsessions, scents that still entice and ensnare, even as we disavow them.</i> <b>Anna Tsing, Professor of Anthropology, University of California, Santa Cruz<br /></b><br /><i>The purpose, the author says, is not to look back to his European base, but to permit connections in the global South to challenge<br />disciplinary categories of thought and imagination. A unique study, Hemer’s Speculative Anthropology stages contamination as transgressive<br />and progressive modernity. </i><b>Michael Chapman, Emeritus Professor of English, University of KwaZulu-Natal, Durban</b>

Anthropology’s keen interest in fiction can be traced to the discipline’s so-called ‘literary turn’ in the 1980s and 90s, instigated by James Clifford and George Marcus’ groundbreaking anthology Writing Culture (1986). But the close connection between anthropology and literature goes back to pioneer
anthropologists like Bronislaw Malinowski and Claude Lévi-Strauss, who were also prominent writers. The discussion continues, and ‘literary anthropology’
is now a well-established sub-field that addresses literary studies as well as creative writing. Yet, anthropology’s courting of literature has largely remained
unanswered. Some famous authors have a background in anthropology, such as Kurt Vonnegut, Ursula K. Le Guin and Amitav Ghosh, but few – one of the
exceptions being Ghosh – have reflected on the relationship between the two practices, let alone consciously attempted to fuse them.
Speculative Anthropology: A Literary History of Contamination explores the ‘intersection’ between anthropology and literature from the literary side, with the perspective of the writer, rather than the critic. The title is inspired by Argentinian author Juan José Saer’s tentative definition of ‘fiction’ as ‘speculative anthropology’ and Ghanaian British philosopher Kwame Anthony Appiah’s similarly tentative proposal for a literary tradition of ‘contamination’,
going back to Roman playwright Terence’s fusion of comedy and tragedy. In this pioneer monograph, Oscar Hemer reinterprets Appiah’s ‘contamination’ as
genre crossing and mixing, not between different literary genres but between fiction and discursive forms of writing – anthropological as well as philosophical
and historical. His tentative ‘canon of contamination’ explored in this volume includes, among others, Montesquieu’s Persian Letters, the ‘self-ethnographies’
of Michel Leiris and Édouard Glissant, Jorge Luis Borges’s ‘fictional essays’, César Aira’s ‘freaked-out ethnography’, Chris Kraus’s ‘theoretical fiction’, Zoë Wicomb’s spectral South African history – and the exemplary philosophy-by-fiction of J.M. Coetzee.

Les mer

Genre mixing goes back to Roman playwright Terence’s fusion of comedy and tragedy but in this pioneer monograph, Hemer explores ‘contamination’, not between different literary genres, but between fiction and discursive forms of writing – anthropological as well as philosophical and historical.

Les mer

Points of departure

Chapter 1 Return to letters

Chapter 2 From ethnography to poetics

Interlude Going to the dogs

Chapter 3 Wonderland

Chapter 4 Idleness in the Western Cape

Chapter 5 The heart of Country

Chapter 6 Carrier bags and partitioning

Postlude I Love Chris

Points of no return

References

Index

Les mer
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Produktdetaljer

ISBN
9781912385621
Publisert
2025-04-15
Utgiver
Vendor
Sean Kingston Publishing
Vekt
601 gr
Høyde
234 mm
Bredde
156 mm
Dybde
18 mm
Aldersnivå
UP, UF, UU, 05
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
302

Forfatter

Om bidragsyterne

Oscar Hemer is Professor Emeritus of Journalistic and Literary Creation at Malmö University, Sweden. His diverse body of work includes novels, translations, academic essays and experimental literary anthropology.