This Open Access book explores the concept of digital epistemology. In this context, the digital will not be understood as merely something that is linked to specific tools and objects, but rather as different modes of thought. For example, the digital within the humanities is not just databases and big data, topic modelling and speculative visualizations; nor are the objects limited to computer games, other electronic works, or to literature and art that explicitly relate to computerization or other digital aspects. In what way do digital tools and expressions in the 1960s differ to the ubiquitous systems of our time? What kind of artistic effects does this generate? Is the present theoretical fascination for materiality an effect or a reaction to a digitization? Above all: how can early modern forms such as the cabinets of curiosity, emblem books and the archival principleof pertinence contribute to the analyses of contemporary digital forms?

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Above all: how can early modern forms such as the cabinets of curiosity, emblem books and the archival principleof pertinence contribute to the analyses of contemporary digital forms?

1. Digital Epistemology - An Introduction.- 2. CCC Vs WWW: Digital Epistemology and Literary Text.- 3. Evoking McLuhan's Juxtapositions in the Digital Age: Archaeology and the Mosaic.- 4. "Books are Machines": Materiality and Agency from the 1960s to the 2010s.- 5. Towards a 21st Century Pedagogy for the Humanities.

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This Open Access book explores the concept of digital epistemology. In this context, the digital will not be understood as merely something that is linked to specific tools and objects, but rather as different modes of thought. For example, the digital within the humanities is not just databases and big data, topic modelling and speculative visualizations; nor are the objects limited to computer games, other electronic works, or to literature and art that explicitly relate to computerization or other digital aspects. In what way do digital tools and expressions in the 1960s differ to the ubiquitous systems of our time? What kind of artistic effects does this generate? Is the present theoretical fascination for materiality an effect or a reaction to a digitization? Above all: how can early modern forms such as the cabinets of curiosity, emblem books and the archival principle ofpertinence contribute to the analyses of contemporary digital forms?
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This is an Open Access title, which gives you free and unlimited access Presents the notion of digital epistemology Argues that early modern aesthetic practices can be productively related to expressions in digital culture Merges media archaeology with digital humanities research
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Open Access This book is licensed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made. The images or other third party material in this book are included in the book's Creative Commons license, unless indicated otherwise in a credit line to the material. If material is not included in the book's Creative Commons license and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder.
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Produktdetaljer

ISBN
9783030787233
Publisert
2021-09-02
Utgave
2. utgave
Utgiver
Vendor
Springer Nature Switzerland AG
Høyde
210 mm
Bredde
148 mm
Aldersnivå
Research, P, 06
Språk
Product language
Engelsk
Format
Product format
Innbundet
Orginaltittel
BOMBER, VIRUS, KURIOSAKABINETT. TEXTER OM DIGITAL EPISTEMOLOGI

Forfatter

Om bidragsyterne

Jonas Ingvarsson is Senior Lecturer in Comparative Literature, Digital Humanities and Editorial Practices at the University of Gothenburg, Sweden. He is the author of books and articles on posthumanism and culture, media archaeology and digital epistemology. He is currently heading a research project on the history of literary criticism, combining discourse analysis with text mining and big data analysis.