Through its multiple examples and case studies, <i>The Textbook and the Lecture</i> shows the philosophical assumptions underpinning longstanding debates and serves to inform and perhaps even empower educational workers by helping them understand why they do what they do.<br />—<i>LSE</i>

Friesen's book should be attractive to students and instructors of curriculum and instruction as well as instructional designers and educational technology professionals. Educational start-ups and entrepreneurs might fnd it particularly helpful in placing new products in the context of the <i>longue durée</i> of education history.<br />—Donald Lankiewicz, Emerson College, <i>Publishing Research Quarterly</i>

Why are the fundamentals of education apparently so little changed in our era of digital technology? Is their obstinate persistence evidence of resilience or obsolescence? Such questions can best be answered not by imagining an uncertain high-tech future, but by examining a well-documented past-a history of instruction and media that extends from Gilgamesh to Google. Norm Friesen looks to the combination and reconfiguration of oral, textual, and more recent media forms to understand the longevity of so many educational arrangements and practices. Friesen examines the interrelationship of reading, writing, and pedagogy in the case of the lecture and the textbook-from their premodern to their postmodern incarnations. Over hundreds of years, these two forms have integrated textual, oral, and (more recently) digital media and connected them with changing pedagogical and cultural priorities. The Textbook and the Lecture opens new possibilities for understanding not only mediated pedagogical practices and their reform but also gradual changes in our conceptions of the knowing subject and of knowledge itself. Drawing on wide-ranging scholarship in fields as diverse as media ecology and German-language media studies, Foucauldian historiography, and even archaeological research, The Textbook and the Lecture is a fascinating investigation of educational media.
Les mer
Drawing on wide-ranging scholarship in fields as diverse as media ecology and German-language media studies, Foucauldian historiography, and even archaeological research, The Textbook and the Lecture is a fascinating investigation of educational media.
Les mer

Preface
Part I
1. No More Pencils, No More Books?
2. Writing Instruction in the Twenty-First Century
Part II
3. Psychology and the Rationalist
4. The Romantic Tradition
5. Romantic versus Rationalist Reform
6. Theorizing Media—by the Book
Part III
7. A Textbook Case
8. From Translatio Studiorum to “Intelligences Thinking in Unison”
9. The Lecture as Postmodern Performance
Conclusion
Notes
Bibliography
Index

Les mer
Encouraging readers to look at newer forms of media used in education through a historical lens, Friesen deconstructs two successful archetypes of educational media—the lecture and the textbook—to expose their deep structure. This book should be attractive to teachers, school administrators, and anyone involved in higher education.
—William A. Ferster, author of Sage on the Screen: Education, Media, and How We Learn
Les mer
Encouraging readers to look at newer forms of media used in education through a historical lens, Friesen deconstructs two successful archetypes of educational media-the lecture and the textbook-to expose their deep structure. This book should be attractive to teachers, school administrators, and anyone involved in higher education. -- William A. Ferster, author of Sage on the Screen: Education, Media, and How We Learn
Les mer

Produktdetaljer

ISBN
9781421424330
Publisert
2018-02-09
Utgiver
Vendor
Johns Hopkins University Press
Vekt
408 gr
Høyde
229 mm
Bredde
152 mm
Dybde
19 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
192

Forfatter

Om bidragsyterne

Norm Friesen is a professor in the Department of Educational Technology at Boise State University. He is the editor and translator of Forgotten Connections: On Culture and Upbringing and the editor of Media Transatlantic: Media Theory in North America and German-Speaking Europe.