Russia's New Fin de Siècle Contemporary Culture between Past and Present
Produktdetaljer
Om bidragsyterne
Birgit Beumers is professor of film studies at Aberystwyth University. Her publications include Directory of World Cinema: Russia, A History of Russian Cinema, and, with Mark Lipovetsky, Performing Violence: Literary and Theatrical Experiments of New Russian Drama. She is also the editor of Intellect's journal Studies in Russian and Soviet Cinema.<p><em>'Writers and filmmakers attempt not to revive the past but instead to open up new spaces for interpreting the past through the present. Summing Up: Recommended.'</em> </p>
- Choice, A. J DeBlasio,
<p><em>'Beumers’s is the first coherent multidisciplinary volume that looks at post-Soviet cultural production at the turn of the twenty-first century... Beumers’s volume, its time frame is confined to the wild-west capitalist 1990s under President Boris Yeltsin. Since then Russian society has undergone many changes, and Beumers’s collection successfully updates the content of her predecessor’s work.'</em> </p>
- Larissa Rudova, The European Legacy,
<p><em>'The notion of Russian fin de siècle has a special place in academic discourse, relating primarily to the culture of the Silver Age. This volume edited by Birgit Beumers has decidedly reclaimed the term to define Russian cultural production at the turn of the twenty-first century. In the Introduction, Beumers draws similarities between the two epochs — the sense of crisis and trauma laced by the colourings of pessimism, decadence, degeneration and decay. The book’s ambition is to begin to reflect on the fluid post-Soviet period as a yet another fin de siècle by examining a ‘paradoxical and ambivalent relationship’ (p. 3) of its artistic production with the Soviet past, and to ascertain ‘the impact of the Soviet discourse on contemporary Russian culture’ (p. 6).'</em> </p>
- L. Ryazanova-Clarke, Slavonic and East European Review,