“Koichi Iwabuchi has given us a uniquely fascinating and empirically rich study of cultural globalization—Japanese style—as it evolved in the last two decades of the twentieth century. Eye-opening and insightful, this is an immensely readable book, adding considerably to the growing stock of non-Western voices and perspectives in transnational cultural studies.”—Ien Ang, author of <i>On Not Speaking Chinese: Living between Asia and the West</i>
“This book will be one of the most important in Japan studies to come out in a long time. The author’s anaylsis, which theorizes and critiques Japan’s position as a kind of intermediary between Western and Asian pop cultural formations, and the complex will to power that is being worked out under various consumerist guises, is smart and very much needed in the Japan field.”—Karen Kelsky, author of <i>Women on the Verge: Japanese Women, Western Dreams</i>
"A very rich and subtle study. I predict that Iwabuchi´s book will quickly become a central reference in debates over the global organization of popular culture"—Ulf Hannerz, author of <i>Transnational Connections: Culture, People, Places</i>
Iwabuchi has conducted extensive interviews with producers, promoters, and consumers of popular culture in Japan and East Asia. Drawing upon this research, he analyzes Japan’s "localizing" strategy of repackaging Western pop culture for Asian consumption and the ways Japanese popular culture arouses regional cultural resonances. He considers how transnational cultural flows are experienced differently in various geographic areas by looking at bilateral cultural flows in East Asia. He shows how Japanese popular music and television dramas are promoted and understood in Taiwan, Hong Kong, and Singapore, and how "Asian" popular culture (especially Hong Kong’s) is received in Japan.
Rich in empirical detail and theoretical insight, Recentering Globalization is a significant contribution to thinking about cultural globalization and transnationalism, particularly in the context of East Asian cultural studies.
Note on Japanese Names ix
Introduction: The 1990s—Japan returns to Asia in the age of globalization 1
1. Taking “Japanization” seriously: Cultural globalization reconsidered 23
2. Trans/nationalism: The discourse on Japan in the global cultural flow 51
3. Localizing “Japan” in the booming Asian markets 85
4. Becoming culturally proximate: Japanese TV dramas in Taiwan 121
5. Popular Asianism in Japan: Nostalgia for (different) Asian modernity 158
6. Japan’s Asian dreamworld 199
Notes 211
References 233
Index 261
Produktdetaljer
Om bidragsyterne
Koichi Iwabuchi is Professor of Media and Cultural Studies at Waseda University in Tokyo. For many years he was a reporter and producer for Nippon Television Network Corporation (ntv).