In 2022 Wits University Press marked its centenary, making it the oldest, most established university press in sub-Saharan Africa. While in part modelled on scholarly publishers from the global North, it has had to contend with the constraints of working under global South conditions: marginalisation within the university, budgetary limitations, small local markets, unequal access to international sales channels, and the privileging of English language publishing over indigenous languages. This volume explores what the Press has achieved, and what its modes of reinvention might look like. In widening and deepening our understanding of the Press as an example of a global South scholarly publisher, this volume asks how publishing can contribute to a broader understanding of Southern knowledge production. Featuring contributions from scholars, publishers and authors this multi-voiced volume showcases the history of the Press’s publishing activities over 100 years: from documenting its evolution through book covers and giving credence to some of the leading black intellectuals and writers of the early 20th century and the success of those works in spite of their authors’ racial marginalisation, to the role of women, both in publishing and in the spaces afforded to women’s writing on the Press’s list. The collection concludes with essays by contemporary authors who detail not only their experiences of working with Southern publishers, but also the politics and influences governing their decisions to choose the Press over a Northern publisher.  Publishing from the South shows the strategies deployed by the Press to professionalise Southern knowledge making, and in the process demonstrating how university presses in the global South support the scholarly missions of their universities for both local and global audiences.
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Featuring contributions from scholars, publishers and authors this multi-voiced volume offers a deep dive into the history, sociology and politics of the oldest South African university press. It explores the strategies deployed to professionalise global South knowledge making and supports the scholarly missions of their universities.
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Figures Acknowledgements Introduction: Experiments in Writing the History of a University Press – Sarah Nuttall and Isabel Hofmeyr Part 1 Covers and Contracts Chapter 1 Uncovered: One Hundred Years of Book Covers – Kirsten Perkins and Corina van der Spoel Chapter 2 Relations, Contracts, and Books at Wits University Press: 1922–1962 – Jonathan Klaaren Part 2 Southern Contradictions and Black Contributors Chapter 3 B. W. Vilakazi, Ithongo Lokwazi: The Muse of Knowledge – Hlonipha Mokoena Chapter 4 ‘The Hidden Matters of the Black People’: John Henderson Soga and The South-Eastern Bantu – Natasha Erlank Chapter 5 Clement M. Doke and the Bantu Treasury: Laying Aesthetic Foundations for Modern African Literature – Innocentia Mhlambi Chapter 6 Paratextual Framings of the isiXhosa Volumes in the African Treasury Series – Athambile Masola and Sanele kaNtshingana Chapter 7 African Studies, a Journal on a Fault Line – Isabel Hofmeyr Chapter 8 Palaeosciences through Wits University Press Publications – Amanda Esterhuysen Part 3 Women in the House Chapter 9 Writing While Female: Merit, Market and Gatekeeping in Academic Publishing – Shireen Hassim Chapter 10 Writing the (Female) Biography of a Publishing House – Elizabeth le Roux Chapter 11 ‘That Body of [not only] Men’: Margaret Hutchings’ History of Wits University Press – Veronica Klipp Part 4 Reading Wits Press Through Our Books Chapter 12 Book Paradise: Publishing Regarding Muslims and Surfacing with Wits University Press – Gabeba Baderoon Chapter 13 On Academic Inclusion, or A Story of Three Books – Srila Roy Chapter 14 Experiments in Publishing: A Journey with Academic, Commercial, Independent and Academic Publishers – Siphiwo Mahala Chapter 15 The Psychologist Who had a Lingering Hope of Being a Fiction Writer: Noel Chabani Manganyi – Kopano Ratele Chapter 16 Translated Authorship and Language Futures – Achille Mbembe Afterword: Time-Travelling in the Archive – Ivan Vladislavić Contributors Index
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This collection of essays brings together the craft, the art, the techniques, the commerce, the passion and, quite simply, the love of books and the histories of their making. Not only are these essays – which range from book design to black writing, women’s writing, academic publishing and so much more – a delight to read, they are also evidence – if ever it was needed – that intellectual work of a high calibre has been, and continues to be, alive and well in the global South. Urvashi Butalia – Founder, Zubaan Publishers, India
Les mer
This multi-authored volume offers a deep dive into the history, sociology, and politics of the oldest South African university press.

Produktdetaljer

ISBN
9781776149247
Publisert
2024-11-01
Utgiver
Vendor
Wits University Press
Høyde
229 mm
Bredde
152 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
366

Om bidragsyterne

Sarah Nuttall is Professor of Literary and Cultural Studies at the Wits Institute for Social and Economic Research (WISER) at the University of the Witwatersrand, Johannesburg. Isabel Hofmeyr is Professor Emeritus of African Literature at the University of the Witwatersrand, Johannesburg. She is the author of Dockside Reading. Sarah Nuttall is Professor of Literary and Cultural Studies at the Wits Institute for Social and Economic Research (WISER) at the University of the Witwatersrand, Johannesburg. Isabel Hofmeyr is Professor Emeritus of African Literature at the University of the Witwatersrand, Johannesburg. She is the author of Dockside Reading. Gabeba Baderoon is Associate Professor of Women’s, Gender and Sexuality Studies, African Studies, and Comparative Literature at Penn State University, where she co-directs the African Feminist Initiative. She co-edited the essay collection, Surfacing: On Being Black and Feminist in South Africa. Natasha Erlank is Professor of History at the University of Johannesburg and author of Convening Black Intimacy: Christianity, Gender and Tradition in Early Twentieth Century South Africa. Amanda Esterhuysen is Associate Professor in the School of Geography, Archaeology and Environmental Studies at the University of the Witwatersrand, Johannesburg and is Head of the Origins Centre. Shireen Hassim is Canada 150 Research Chair in Gender and African Studies at Carleton University, Ottawa and Visiting Professor at the Wits Institute for Social and Economic Research, University of the Witwatersrand, Johannesburg. She co-edited Go Home or Die Here: Violence, Xenophobia and the Politics of Difference in South Africa. Jonathan Klaaren is Professor of Law & Society at the University of the Witwatersrand, Johannesburg. He is author of From Prohibited Immigrants to Citizens: The Origins of Citizenship and Nationality in South Africa and co-edited Competition Law and Economic Regulation in Southern Africa : Addressing Market Power in Southern Africa. Veronica Klipp is Publisher at Wits University Press and has worked in the South African publishing industry since 1992.  Beth le Roux is Associate Professor in the Department of Information Science at the University of Pretoria. She is author of A Social History of the University Presses in South Africa and Publishing Against Apartheid: A Case Study of Ravan Press. Siphiwo Mahala is an award-winning short story writer, novelist, playwright and literary critic. He is a senior lecturer in the Department of English at the University of Johannesburg and a research fellow at the Johannesburg Institute for Advanced Study. He is the editor of Imbiza Journal for African Writing. He is the author of Can Themba: The Making and Breaking of the Intellectual Tsotsi. Athambile Masola teaches in the Department of Historical Studies at the University of Cape Town. She is an award-wining poet and author of Ilifa. Achille Mbembe is Research Professor in History and Politics at the Wits Institute for Social and Economic Research, and Director of the Innovation Foundation for Democracy in Africa, based at the University of the Witwatersrand, Johannesburg. He is the author of many books, including On The Postcolony, Critique of Black Reason, Necropolitics and Brutalism. Innocentia J Mhlambi is Associate Professor in the Department of African Languages at the University of the Witwatersrand, Johannesburg. She is the author of African-language Literatures: Perspectives on isiZulu Fiction and Popular Black Television Series and co-editor of Mintiro ya Vulavula: Arts, National Identities and Democracy. Hlonipha Mokoena is Director of the Wits Institute for Social and Economic Research at the University of the Witwatersrand, Johannesburg.  Sanele kaNtshingana is a lecturer in the School of Languages and Literatures at the University of Cape Town.  Kirsten Perkins is Production Editor at Wits University Press. She completed her Masters in Publishing Studies at the University of the Witwatersrand, Johannesburg  Kopano Ratele is Professor of Psychology at the University of Stellenbosch and head of the Stellenbosch Centre for Critical and Creative Thought. His books include The World Looks Like This From Here: Thoughts on African Psychology, and Why Men Hurt Women and Other Reflections on Love, Violence and Masculinity. Srila Roy is Professor of Sociology at the University of the Witwatersrand, Johannesburg. She co-edited Intimacy and Injury: in the wake of #MeToo in India and South Africa and is the author of Changing the Subject: Feminist and Queer Politics in Neoliberal India. Corina van der Spoel is Marketing Coordinator at Wits University Press. She was the founding manager of Boekehuis, a bookshop established in 2000 in Johannesburg.  Ivan Vladislavić is a fiction writer, essayist and editor whose books include The Near North, Double Negative and Portrait with Keys. He is Distinguished Professor in Creative Writing at the University of the Witwatersrand, Johannesburg.