“Covers all levels of motion pictures from a business perspective … .This book examines the industry in contemporary marketing terms, and each essay clearly explains another aspect of American film as a business. <i>THE CONTEMPORARY HOLLYWOOD FILM INDUSTRY</i> is a truly indispensable book, and a pioneering effort in understanding cinema’s business aspects. It’s thorough study of the financial side of motion pictures, complete with full lists of sources after each insightful essay, is fascinating, enlightening, and instructive.” (<i>RogueCinema.com</i>, December 2008)

The Contemporary Hollywood Film Industry is a collection of essays by leading scholars that examines the state of the U.S. film industry, from the l980s to present day.

  • Includes important discussions of the industry’s labour and star systems, as well as intellectual property and state relations
  • Considers the role of independent producers, the global marketplace for Hollywood product, corporate changes, and various new media windows, including video, DVD to cable, satellite, and online channels of delivery
  • Brings together an international team of leading film scholars
  • Offers a balanced and fresh approach to this important contemporary period in Hollywood
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The Contemporary Hollywood Film Industry is a collection of essays by leading scholars that examines the state of the U.S. film industry, from the l980s to present day.

List of Figures viii

List of Tables xii

Acknowledgments xiii

Notes on Contributors xiv

Introduction: The New Contours of the Hollywood Film Industry 1
Paul McDonald and Janet Wasko

Part I The Structure Of The Industry 11

1 The Studio System and Conglomerate Hollywood 13
Tom Schatz

2 Financing and Production: Creating the Hollywood Film Commodity 43
Janet Wasko

3 Distribution and Marketing in Contemporary Hollywood 63
Philip Drake

4 Theatrical Exhibition: Accelerated Cinema 83
Charles Acland

5 Ancillary Markets – Television: From Challenge to Safe Haven 106
Eileen R. Meehan

6 Ancillary Markets – Video and DVD: Hollywood Retools 120
Frederick Wasser

7 Ancillary Markets – Video Games: Promises and Challenges of an Emerging Industry 132
Randy Nichols

8 Ancillary Markets – Recorded Music: Charting the Rise and Fall of the Soundtrack Album 143
Jeff Smith

Part II Industry Dynamics 153

9 Labor: The Effects of Media Concentration on the Film and Television Workforce 155
Susan Christopherson

10 The Star System: The Production of Hollywood Stardom in the Post-Studio Era 167
Paul McDonald

11 Hollywood and the State: The American Film Industry Cartel in the Age of Globalization 182
Manjunath Pendakur

12 Hollywood and Intellectual Property 195
Ronald V. Bettig

Part III International Territories 207

13 Hollywood and the World: Export or Die 209
John Trumpbour

14 Britain: Hollywood, UK 220
Paul McDonald

15 France: A Story of Love and Hate – French and American Cinema in the French Audiovisual Markets 232
Joel Augros

16 Germany: Hollywood and the Germans – A Very Special Relationship 240
Peter Krämer

17 Italy: The Rise and Fall of the Italian Market 251
Krishna P. Jayakar and David Waterman

18 Latin America: How Mexico and Argentina Cope and Cooperate with the Behemoth of the North 264
Tamara L. Falicov

19 East Asia: For Better or Worse 277
John A. Lent

20 India: Hollywood’s Domination, Extinction, and Re-animation (with thanks to Jurassic Park) 285
Nitin Govil

21 Australia and New Zealand: Expats in Hollywood and Hollywood South 295
David Newman

Index 307

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The contemporary Hollywood film industry is characterized by continuity and change. While many well-established Hollywood studios continue to dominate the film business, the industry also has witnessed various changes during the past two decades.

The Contemporary Hollywood Film Industry is a collection of essays by leading scholars that examine the U.S. film industry as an international phenomenon, from the l980s to present day. It explores a host of challenges and changes facing Hollywood, and includes important discussions of the industry’s labor and star systems, as well as intellectual property and state relations. Essays consider the role of independent producers, the global marketplace for Hollywood product, corporate changes, and various new media windows, including video, DVD to cable, satellite, and online channels of delivery.

Offering a balanced, fresh, and international approach to the important contemporary period in Hollywood, this text is designed specifically for classroom use in undergraduate and graduate level film courses.

Contributors include: Paul McDonald, Janet Wasko, Tom Schatz, Philip Drake, Charles Acland, Eileen R. Meehan, Frederick Wasser, Randy Nichols, Jeff Smith, Susan Christopherson, Manjunath Pendakur, Ronald V. Bettig, John Trumpbour, Joel Augros, Peter Kramer, Krishna P. Jayakar, David Waterman, Tamara L. Falicov, John A. Lent, Nitin Govil, and David Newman.

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"Expertly organised and sharply focused, this collection gives its readers a clear and comprehensive introduction to how Hollywood has reorganised itself for its second century as the dominant global entertainment machine."
–Richard Maltby, Flinders University

"The Contemporary Hollywood Film Industry does well to highlight the evolving 'global Hollywood,' the American film industry’s truly multinational scale and scope. Of particular interest are the book’s several essays on so-called ancillary industries like videogames and music, which give readers a good, long look at a film industry that today concerns itself with a lot more than just making movies."
–Jon Lewis, Professor, Oregon State University

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Produktdetaljer

ISBN
9781405133883
Publisert
2007-12-13
Utgiver
John Wiley and Sons Ltd; Wiley-Blackwell
Vekt
522 gr
Høyde
246 mm
Bredde
173 mm
Dybde
19 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
352

Om bidragsyterne

Paul McDonald is Professor in Film and Television Studies at the University of Portsmouth, UK. He is the author of Video and DVD Industries and The Star System: Hollywood’s Production of Popular Identities and co-editor for the International Screen Industries series from the British Film Institute.

Janet Wasko is the Knight Chair in Communication Research at the University of Oregon. She is the author of How Hollywood Works, Understanding Disney: The Manufacture of Fantasy, and Hollywood in the Information Age: Beyond the Silver Screen. She also edited A Companion to Television and Dazzled by Disney? The Global Disney Audience Project.