Business Innovation and Disruption in the Music Industry
Produktdetaljer
Om bidragsyterne
Edited by Patrik Wikström, Associate Professor, Digital Media Research Centre, Queensland University of Technology, Australia and Robert DeFillippi, Professor, Sawyer Business School, Suffolk University, US<i>âAn excellent collection of essays about the evolution of a rapidly changing industry. Summing Up: Recommended.â</i>
- R.J. Phillips, Choice,
<i>âWikström and DeFillippi have done an excellent job of compiling thoughts from a number of sources on the modernization of music. Ranging from the issues of fair payments to creators and the dominance of on-demand music in Scandinavia to government influence on music markets in China, the work offers a broad spectrum of views into the evolving music business. Anyone seeking to learn or teach global music business model innovation should place this book at the top of his/her list.â</i>
- C. Allen Bargfrede, Berklee College of Music, US,
âBusiness Innovation and Disruption in the Music Industry <i>offers an enjoyable overview of the opportunities and challenges as well as of the driving forces of the current transformation of the music industry. Its contributions illustrate the contexts of this transformation as well as the change of business models. It is a rich source of empirical evidence and in particular of controversial but smart interpretations of current and future developments. I highly recommend </i>Business Innovation and Disruption in the Music Industry<i> to all practitioners, researchers and students interested in the music industry as a creative complex cultural and media business and to those who aim at participating in its further development.â</i>
- Carsten Winter, Hanover University of Music, Drama and Media, Germany,
<i>âThis is a timely book, given the disruptive elements that still dominate the twenty-first century music business. Edited by esteemed music industry scholar Patrik Wikström and creative industries Innovation expert Robert DeFillippi the 11 chapters from 15 international scholars across different disciplines are organised along three themes: "music industry transformation in contextâ, âchanging business modelsâ and âstreaming music services and the future of musicâ. The international perspective of the book is arguably one of its greatest strengths, however, it is the future facing parts of this book that makes it most worth readingâ</i>
- Dennis Collopy, University of Hertfordshire, UK,