<p>. . . fascinating and probing treatments of issues that press on both museum workers and folklorists.October 15, 2008</p>

- Lee Haring, Brooklyn College (Emeritus)

<p>Museum and Difference is about the role that museums play in shaping the stories that we tell about who we are and how we are different from other people. It is an interesting subject.Jan. 23, 2009</p>

- Matt Shinn, Museum Practice Magazine

Museums, modern concepts of culture, and ideas about difference arose together and are inextricably entwined. Relationships of difference—notably, of gender, ethnicity, nationality, and race—have become equally important concerns of scholarship in humanities and contemporary museum practice. Museums and Difference offers the perspectives of scholars and museum professionals in tandem, using the concept of difference to reexamine how museums construct themselves, their collections, and their publics. Essays explore a wide range of examples from around the world and from the 19th century to the present, including case studies of special exhibitions as well as broad surveys of institutions in Europe, the United States, and Japan.
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How museums construct themselves, their collections, and their publics
ContentsAcknowledgmentsIntroduction Daniel J. ShermanPart 1. Representing Difference1. Art Museums and Commonality: A History of High Ideals Andrew McClellan2. "The Last Wild Indian in North America": Changing Museum Representations of Ishi Ira Jacknis3. National Museums and Other Cultures in Modern Japan Angus Lockyer4. Cultural Difference and Cultural Diversity: The Case of the Musée du Quai Branly Nélia Dias5. Gunther von Hagens's Body Worlds: Exhibitionary Practice, German History, and Difference Peter M. McIsaacPart 2. Representing Differently6. Meta Warrick's 1907 "Negro Tableaux" and (Re)Presenting African American Historical Memory W. Fitzhugh Brundage7. Skulls on Display: The Science of Race in Paris's Musée de l'Homme, 1928–1950 Alice L. Conklin8. Dossier: "Inventing Race" in Los Angeles Ilona Katzew and Daniel J. Sherman9. Living and Dying: Ethnography, Class, and Aesthetics in the British Museum Lissant Bolton10. Museums and Historical Amnesia William H. TruettnerContributorsIndex
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. . . fascinating and probing treatments of issues that press on both museum workers and folklorists.October 15, 2008
[D]emonstrates both the centrality and rapidly changing significance of difference in museum practice and poses a number of critical questions for future scholarship, such as, for example, whether or not aesthetic distinctions can ever be employed in museums in a manner that does not privilege the identity of one or another social group. —David O'Brien, University of Illinois at Urban
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How museums construct themselves, their collections, and their publics

Produktdetaljer

ISBN
9780253219350
Publisert
2007-12-26
Utgiver
Vendor
Indiana University Press
Vekt
667 gr
Høyde
235 mm
Bredde
155 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
400

Redaktør

Om bidragsyterne

Daniel J. Sherman is Professor of History and Director of the Center for 21st Century Studies at the University of Wisconsin–Milwaukee. He is author of The Construction of Memory in Interwar France and editor (with Terry Nardin) of Terror, Culture, Politics (IUP, 2006).