From the opening of The Louvre to the launch of Tate Modern and beyond, this accessible and succinct publication traces the development of the museum concept – encompassing curatorial, scholarly, political and cultural spheres – and its evolving role within society.

In the first section, Schubert looks at the complex history of the museum in specific cities at critical moments, for instance New York between 1930 and 1950 as the Metropolitan Museum of Art expanded and the Museum of Modern Art was founded. The second section focuses on the success and unprecedented development of the museum in the 1980s and 1990s in Europe and the United States, highlighting the need for cities and institutions to revise their programmes in response to a surge of interest in the arts.

The final section looks at the museum’s predicament nearly a decade after The Curator’s Egg was originally published in 2000, exploring the museum's evolution in a post-9/11 environment.

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From the opening of The Louvre to the launch of Tate Modern and beyond, this accessible publication traces the development of the museum and its evolving role within society.

Produktdetaljer

ISBN
9781905464203
Publisert
2000-01-01
Utgiver
Ridinghouse; Ridinghouse
Høyde
210 mm
Bredde
152 mm
Aldersnivå
G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
192

Forfatter

Om bidragsyterne

Karsten Schubert was a Anglo-German art dealer, collector, writer and co-founder of art imprint Ridinghouse. Through his eponymous gallery, established in London in 1986, he represented artists such as Bridget Riley and Alison Wilding, and was an early champion of YBA artists Michael Landy, Rachel Whiteread, Ian Davenport and Gary Hume. He died in 2019.