Om bidragsyterne

Clive Barnett works on the geographies of democracy and public life. He is author and editor of books and scholarly articles on colonial and postcolonial discourses, critical theory and the public sphere, political philosophy, popular media cultures, poststructuralism, and social movements. This includes empirical research on the UK, South Africa, USA, and Europe. His current research focuses on emergent forms of public action and their implications for understandings of democracy. Clive is a member of the OpenSpace Research Centre, and is Co-Director of the Publics Research Programme in the Centre for Citizenship, Identities and Governance (CCIG) in the Faculty of Social Sciences at the OU. He is also a Member of the Open University′s Ethics Centre. Current research builds on my book, Ordinary Cities: Between Modernity and Development (Routledge, 2006) which develops a postcolonial critique of urban studies, presenting resources for cutting across the thinking which has divided understandings of Western and Third World Cities. I argue against perspectives which categorize cities as Global, Third World, Mega, African etc. and suggest instead an attentiveness to the diverse trajectories of ′ordinary cities′. This work has strong implications for the practices of urban studies internationally, and invites a regrounding of comparative urbanism in rigorous practices able to encompass both wealthier and poorer cities so as to generate approaches to understanding cities which are properly international. Future plans include an empirical project to exemplify comparative methods incorporating wealthier and poorer cities, taking as the object of study the ubiquitous technology of developing city strategies and visions. This will also enable an investigation of the international circulation of urban policy to understand how policy arrives in and is adopted or adapted in different localities. The research will press an engagement with analyses of neoliberalism in urban studies to incorporate perspectives from cities in poorer contexts. It contributes to conceptualisations of the spatialities of circulation, reflecting my wider interests in general theoretical accounts of space. Previous research has centred on the relationship between power and space, specifically in cities and mostly in relation to South African politics. For example, I have written on the 1936 Empire Exhibition in Johannesburg to explore spaces of racial interaction in South African cities. I have also written on issues in feminist politics, including questions of difference and methodology, and more recently on the implications of Julia Kristeva′s psychoanalytic writing for feminist theorizations of space. More broadly, I have explored ways of postcolonializing the theoretical and empirical practices of Geography. My research interests lie broadly within the field of visual culture. I′m interested in visuality as a kind of practice, done by human subjects in collaboration with different kinds of objects and technologies. One long-term project, which resulted in a book from Ashgate Press in 2010, looked at family photos. I approached family snaps by thinking of them as objects embedded in a wide range of practices. I interviewed women with young children about their photos, and also looked at the politics and ethics of family snaps moving into more public arenas of display when the people they picture are the victims of violence. The book explores the different ′politics of sentiment′ in which family snaps participate in both their domestic spaces in the public space of the contemporary mass media. Other work is extending my interest in subjectivities, space and visual practices by exploring experiences of designed urban spaces. I completed an ESRC-funded project on this theme with Dr Monica Degen at Brunel University in 2009, in which we compared how people experienced two rather different town centres: Milton Keynes and Bedford. Monica Degen, Clare Melhuish and I started a new ESRC-funded project in the autumn of 2011. ′Architectural atmospheres, branding and the social: the role of digital visualizing technologies in contemporary architectural practice′ was a two-year ethnographic study of how digital visualizing technologies are being used by architects in a number of architects′ studio in London. I′m also interested in more innovative ways to produce social science research, especially using visual materials. I was involved in organising the ESRC Seminar Series ′Visual Dialogues: New Agendas in Inequalities Research′ (2010-2012). Please visit the ′Visual Dialogues: New Agendas in Inequalities Research′ for more details. I′m also a member of the OpenSpace Research Centre.