A wonderfully engaging novel
- Melissa McClements, Financial Times
Imagine Márquez's <i>One Hundred Years of Solitude</i> on the empty plains of central Asia...<i>The Railway</i> is a bold and inventive, if damning, whirl through Central Asia's 20th-century history
- Charlotte Hobson, Daily Telegraph
It is a work of rare beauty - <b>an</b> <b>utterly readable, compelling book</b>
- Craig Murray, New Statesman
A poet's novel, full of memorable descriptive passages and heart-wrenching asides
Independent
All picaresque exuberance, a jumble of influences from Persian to Soviet and beyond
- Catherine Lockerbie, Sunday Herald
Strange and beautiful
The Times
Robert Chandler's tenderly attentive rendering of <i>The Railway</i> perfectly captures the dreamy, circling music of Hamid Ismailov's prose
- Chandrahas Choudhury, Daily Telegraph
Set mainly in Uzbekistan between 1900 and 1980, The Railway introduces to us the inhabitants of the small town of Gilas on the ancient Silk Route. Among those whose stories we hear are Mefody-Jurisprudence, the town's alcoholic intellectual; Father Ioann, a Russian priest; Kara-Musayev the Younger, the chief of police; and Umarali-Moneybags, the old moneylender. Their colourful lives offer a unique and comic picture of a little-known land populated by outgoing Mullahs, incoming Bolsheviks, and a plethora of Uzbeks, Russians, Persians, Jews, Koreans, Tatars and Gypsies.
At the heart of both the town and the novel stands the railway station - a source of income and influence, and a connection to the greater world beyond the town. Rich and picaresque, The Railway chronicles the dramatic changes felt throughout Central Asia in the early twentieth century.
Set mainly in Uzbekistan between 1900 and 1980, The Railway introduces to us the inhabitants of the small town of Gilas on the ancient Silk Route.
At the heart of both the town and the novel stands the railway station - a source of income and influence, and a connection to the greater world beyond the town.