Produktdetaljer
Om bidragsyterne
N. Katherine Hayles is distinguished research professor of English at the University of California, Los Angeles, and James B. Duke Professor of Literature Emerita at Duke University. Her books include How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics (1999) and Unthought: The Power of the Cognitive Nonconscious (2017).N. Katherine Hayles presents new explorations of typesetting, scholarly editing, and radical recent book projects, using these to unite aspects of her theories of computation, textual materialities, and (un)thought. The profound insights in <i>Postprint</i> show what print is becoming, not just as a medium or cultural phenomenon, but as cognition.
- Nick Montfort, author of <i>Golem</i>,
<i>Postprint</i> may be enjoyed simply as a series of well-selected, vividly rendered case studies detailing recent convergences between books, human readers and writers, and computational technologies. But it is much more than that. With her hallmark clarity, Hayles lays out a whole new conceptual framework—the <i>cognitive-assemblage</i> approach—in terms of which postprint may be grasped as a moment of unprecedented symbiosis across cognitive media: the 'becoming computational of books and people together.'
- James F. English, author of <i>The Global Future of English Studies</i>,
Claiming that computational media have brought to bear new, nonhuman forms of cognition, <i>Postprint </i>offers a series of compelling examples and showcases an empirical method that will be widely emulated by literary and media studies scholars interested in exploring the history and future of print culture.
- Lee Konstantinou, author of <i>Cool Characters: Irony and American Fiction</i>,
Hayles’ book provides a unique framework for understanding print (and postprint) from a fresh perspective.
Americana
Hayles has duly focused our attention on books and how closely we are tied to them, perhaps one<br />of humanity’s finest technologies.
Publishing Research Quarterly
Hayles considers the ways in which print has been enmeshed in literate societies and how these are changing as some of the cognitive tasks once performed exclusively by humans are now carried out by computational media. Interpretations and meaning-making practices circulate through transindividual collectivities created by interconnections between humans and computational media, which Hayles calls cognitive assemblages. Her theoretical framework conceptualizes innovations in print technology as redistributions of cognitive capabilities between humans and machines. Humanity is becoming computational, just as computational systems are edging toward processes once thought of as distinctively human. Books in all their diversity are also in the process of becoming computational, representing a crucial site of ongoing cognitive transformations.
Hayles details the consequences for the humanities through interviews with scholars and university press professionals and considers the cultural implications in readings of two novels, The Silent History and The Word Exchange, that explore the postprint condition. Spanning fields including book studies, cultural theory, and media archeology, Postprint is a strikingly original consideration of the role of computational media in the ongoing evolution of humanity.
Acknowledgments
1. Introducing Postprint
2. Print Into Postprint
3. The Mixed Ecologies of University Presses
4. Postprint and Cognitive Contagion
5. Bookishness at the Limits: Resiting the Human
Epilogue: Picturing the Asemic
Notes
Bibliography
Index