“Overall, <i>The Postnational Fantasy</i> is a fairly strong and relatively cohesive collection, and should particularly appeal to scholars working at the intersections of the fields of sf and postcolonial studies”—<i>Journal of the Fantastic in the Arts</i>.
In twelve critical and interdisciplinary essays, this text examines the relationship between the fantastic in novels, movies and video games and real-world debates about nationalism, globalization and cosmopolitanism. Topics covered include science fiction and postcolonialism, issues of ethnicity, nation and transnational discourse. Altogether, these essays chart a new discursive space, where postcolonial theory and science fiction and fantasy studies work cooperatively to expand our understanding of the fantastic, while simultaneously expanding the scope of postcolonial discussions.
Acknowledgments
Foreword (Donald M. Hassler)
Introduction (Masood A. Raja and Swaralipi Nandi)
Part I: Postcolonial Issues in Science Fiction
1. Science Fiction as Experimental Ground for Issues of the Postcolonial Novel (Michele Braun)
2. Truth Is Stranger: The Postnational “Aliens” of Biofiction (Karen Cardozo and Banu Subramaniam)
3. Forms of Compromise: The Interaction of Humanity, Technology and Landscape in Ken MacLeod’s Night Sessions (Adam Frisch)
4. The Language of Postnationality: Cultural Identity via Science Fictional Trajectories (Chris Pak)
Part II: The Nation and Ethnicity in Science Fiction
5. The “Popular” Science: Bollywood’s Take on Science Fiction and the Discourse of Nations (Swaralipi Nandi)
6. Postcolonial Ethics and Identity in Mike Resnick’s Kirinyaga (Jenn Brandt)
7. The Frontier Myth and Racial Politics (Ángel Mateos-Aparicio Martín-Albo)
8. Dystopia and the Postcolonial Nation (Suparno Banerjee)
Part III: Towards a Postnational Discourse
9. Body Speaks: Communication and the Limits of Nationalism in Octavia Butler’s Xenogenesis Trilogy (Katherine R. Broad)
10. Engineering a Cosmopolitan Future: Race, Nation, and World of Warcraft (Jason W. Ellis)
11. When “Nation” Stops Making Sense: Mexico and Giorgio Agamben’s “State of Exception” in Children of Men (Stacy Schmitt Rusnak)
12. Fantastic Language/Political Reporting: The Postcolonial Science Fiction Illocutionary Force Is with Us (Marleen S. Barr)
About the Contributors
Index