One Clear, Ice-cold January Morning at the Beginning of the 21st Century
Produktdetaljer
Om bidragsyterne
Roland Schimmelpfennig, born in 1967, is Germany's most celebrated contemporary playwright. He began his career as a journalist before studying to be a theatre director, and his plays have now been performed in more than forty countries. Schimmelpfennig is the recipient of the highest Playwriting Award in Germany, the Else-Lasker-Schüler-Prize, to honor his entire Oeuvre. One Clear, Ice-cold January Morning at the Beginning of the 21st Century is his first novel, shortlisted for the Leipzig Bookfair Prize in 2016. His play Winter Solstice is on tour across the U.K. in 2018. He lives in Berlin.Schimmelpfennig's world is uncomfortable and cold; but <b>in the hearts of his characters glow the flames of longing, passion and solidarity</b>
- Martin Halter, Berliner Zeitung
The <b>exhilarating narrative</b> is wonderfully concise, and the imagery is <b>intensely cinematic</b>.
- Barry Forshaw, Guardian.
<b>Mesmerizing</b> . . . The narrative is wonderfully spare, rendered in clear, simple sentences . . . <b>A satisfying and memorable story</b>
- Alannah Hopkin, Irish Examiner
<b>A powerful novel of extraordinary momentum</b> and contemporaneity - its looping narrative is both <b>gripping and unsettling</b>
Spiegel
<b>A moving book that delicately and expertly captures a prevailing atmosphere</b> - of disorientation and bleakness in society, and of unexpressed feelings
Deutschland Radiokultur
As <b>cool and incisive</b> as its title suggests
TAZ
<b>A looping, episodic, beguiling contemporary fable </b>about a set of dysfunctional, seemingly disconnected characters whose fates are spun together along the mysterious wolf 's path . . . <b>delivered crisply</b> in Jamie Bulloch's translation.
Daily Telegraph (*****)
A <b>highly original</b> and often <b>hypnotic</b> work . . . <b>exactly the type of book that readers in search of striking European voices should embrace.</b>
Irish Times
<i>Roland Schimmelpfennig shockingly reverses readerly expectations and conjures up for us <b>a superbly dark comedy of manners</b> . . . T</i>his combined quality of stage economy and theatricality accentuates what is essentially <b>a particularly unflinching, penetrating gaze into the state of our society</b>.
Bookanista
<b>A vivid ensemble of nuanced characters</b> emerge as their daily lives coincide through <b>a cleverly multi-layered, interconnected narrative</b> . . . Schimmlpfennig rarely says too much in <b>a brilliantly kaleidoscopic morality tale </b>that suggests a great deal
Financial Times
<b>A magnificent achievement, a novel of terrific originality</b>
New European
"A highly original and often hypnotic work . . . exactly the type of book that readers in search of striking European voices should embrace" John Boyne, author of THE BOY IN THE STRIPED PYJAMAS
A contemporary Berlin fairy tale that bristles with urban truths - the first novel of Germany's best-known contemporary playwright
One clear, ice-cold January morning shortly after dawn, a wolf crosses the border between Poland and Germany. His trail leads all the way to Berlin, connecting the lives of disparate individuals whose paths intersect and diverge.
On an icy motorway eighty kilometres outside the city, a fuel tanker jack-knifes and explodes. The lone wolf is glimpsed on the hard shoulder and photographed by Tomasz, a Polish construction worker who cannot survive in Germany without his girlfriend. Elisabeth and Micha run away through the snow from their home village, crossing the wolf's tracks on their way to the city. A woman burns her mother's diaries on a Berlin balcony. And Elisabeth's father, a famous sculptor, observes the vast skeleton of a whale in his studio and asks: What am I doing here? And why?
Experiences and encounters flicker past with a raw, visual power, like frames in a black and white film. Those who catch sight of the wolf see their own lives reflected, and find themselves searching for a different path in a cold time. This first novel of Germany's most celebrated contemporary playwright is written in prose of tremendous power and precision.
Translated from the German by Jamie Bulloch