“<i>Object-Oriented Narratology</i> takes on a little-addressed yet crucial component of narratives: objects or things, not as part of some other function, but on their own merits. As such it helps us dig deeper into our reading of and immersion in storyworlds, and it creates a richer understanding of the objects that make up those worlds. It is clearly written and thought-provoking.”—Annjeanette Wiese, author of <i>Narrative Truthiness: The Logic of Complex Truth in Hybrid (Non)Fiction</i>
“The authors raise stimulating philosophical questions, situating narrative theory within a broader, interdisciplinary debate on the status of the object.”—Marco Caracciolo, author of <i>Slow Narrative and Nonhuman Materialities</i>
These developments have important implications for narratology. Traditional conceptions of narrative define its core components as setting, characters, and plot, but nonhuman entities play a crucial role in characterizing the setting, in enabling or impeding the actions of characters, and thus in determining plot.
Marie-Laure Ryan and Tang Weisheng combine a theoretical approach that defines the basic narrative functions of objects with interpretive studies of narrative texts that rely more closely on ideas advanced by proponents of new object philosophy. Object-Oriented Narratology opens new theoretical horizons for narratology and offers individual case studies that demonstrate the richness and diversity of the ways in which narrative, both Western and non-Western, deals with humans’ relationships to their material environment and with the otherness of objects.
Introduction
1. Representing Objects: The Mimetic Function
2. Designing Stories with Objects: The Thematic, Strategic and Structural Functions
3. Experiencing Otherness: Rick Bass’s Deep Ecology Narratives
4. The Horror of Sentient Things: Edgar Allan Poe
5. Ordinary Objects, Accumulation, and Design: Karl Ove Knausgaard and Nicholson Baker
6. Overhumanized versus Radically Alien Objects: Orhan Pamuk and Jean-Paul Sartre
7. Consumerism, Hoarding, and Liberation from Possession: Georges Perec and Ruth Ozeki
8. Enchantment of Things: Objects in Classic Chinese Literature
9. Telling Stories with Objects: Multimodal Manifestations
Conclusion
Source Acknowledgments
Notes
References
Index