Modiano’s deceptive simplicity, where straightforward sentences conceal deeper and complex meanings, is also utterly spellbinding, and in this novella about an initially amoral double agent who works for both the Resistance and the Gestapo in Nazi-occupied Paris purely for his own benefit, he spins a particularly sticky and discomforting web
<i><b>Glasgow Sunday Herald</b></i>
A Marcel Proust of our time
<b>Peter Englund, permanent secretary of the Swedish Academy</b>
Modiano is a pure original
<b>Adam Thirlwell</b>
Modiano is the poet of the Occupation and a spokesman for the disappeared, and I am thrilled that the Swedish Academy has recognised him
<b>Rupert Thomson, <i>Guardian</i></b>
From the satirical portrayal of anti-Semitism in his debut novel [<i>La Place de l’Étoile</i>] to later books such as <i>The Search Warrant</i> and <i>Missing Person</i> (winner of the 1978 Prix Goncourt), the Occupation shapes much of Modiano’s work
<b>Boyd Tonkin, <i>Independent</i></b>