Amis is still the finest English fiction writer of his generation

Sunday Independent

An electrifying writer who likes to shock his fans and share his sharply contemporary concerns... Amis is a maddening master you need to read - the best of his generation

Mail on Sunday

Amis is immaculate as a comic stylist...irresistible

Daily Telegraph

Se alle

His eloquently rendered inner life shows a richness and tenderness

The Week

A comic opera of excess and humiliation, driven by the punch and panache of Amis's extraordinary prose, <i>Money</i> remains as satirically spot-on as when it was first published

The List

John Self is a consumer extraordinaire. Rolling between London and New York he closes movie deals and spends feverishly, all the while grabbing everything he can to sate his massive appetites: alcohol, tobacco, pills, pornography and mountains of junk food. But John’s excesses haven’t gone unnoted. Menaced by a phone stalker, his high-wire, hoggish lifestyle is about to bring him face-to-face with the secret of his success. 'Terribly, terminally funny: laughter in the dark, if ever I heard it' Guardian
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Rolling between London and New York he closes movie deals and spends feverishly, all the while grabbing everything he can to sate his massive appetites: alcohol, tobacco, pills, pornography and mountains of junk food. 'Terribly, terminally funny: laughter in the dark, if ever I heard it' Guardian
Les mer
'Terribly, terminally funny: laughter in the dark, if ever I heard it' Guardian

Produktdetaljer

ISBN
9780099461883
Publisert
2005-04-07
Utgiver
Vendor
Vintage
Vekt
326 gr
Høyde
198 mm
Bredde
129 mm
Dybde
29 mm
Aldersnivå
01, G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
464

Forfatter
Introduksjon ved

Om bidragsyterne

Martin Amis was twenty-three when he wrote his first novel, The Rachel Papers (1973). Over the next half century – in fourteen more novels, two collections of short stories, eight works of literary criticism and reportage, and his acclaimed memoir, Experience – he established himself as the most distinctive and influential prose stylist of his generation. To many of his readers, Amis was also the funniest. His intoxicating comedic gifts express a profound understanding of the human experience, particularly its most shocking cruelties, and Amis wrote with pathos and verve on an astonishing range of subjects, from masculinity and movie violence to nuclear weapons and Nazi doctors. His books, which have been translated into thirty-eight languages, provide an indelible portrait and critique of late-capitalist society at the turn of the twenty-first century. He died in 2023.