Metamorphic Readings presents a set of original interpretations of Ovid's seminal Metamorphoses and its reception in later literature, representing the state of the art of research on the poem and enhancing the suggestiveness of Ovid's masterpiece.

I Transformations into the Metamorphoses 1: Alessandro Barchiesi: Reading metamorphosis in Ovid's Metamorphoses II Transformations in the Metamorphoses 2: Alison Sharrock: Gender and transformation: Reading, Women, and Gender in Ovid's Metamorphoses 3: Andrew Feldherr: Between a Rock and a Hard Race: Gender and Text in Ovid's Deucalion and Pyrrha Episode (Met. 1.313-415) 4: Eleni Ntanou: HAC Arethusa TENUS (Met. 5.642). Geography and Poetics in Ovid's Arethusa 5: Aaron Joseph Kachuck: Ovid's Dream, or, Byblis and the Circle of Metamorphoses 6: Mathias Hanses: Naso Deus: Ovid's Hidden Signature in the Metamorphoses III Transformations of the Metamorphoses 7: Monika Asztalos: Latent Transformations: Reshaping the Metamorphoses 8: Robin Wahlsten Böckerman: The Bavarian Commentaries and the Beginning of the Medieval Reception of the Metamorphoses 9: Philip Hardie: The Metamorphoses of Sin: Prudentius, Dante, Milton 10: Louise Vinge and Niclas Johansson: Narcissus Revisited: Scholarly Approaches to the Narcissus Theme

A significant new interpretation of the Ovid's masterpiece, with all Latin and Greek translated Demonstrates that the poem is more than just a set of stories of change, but also maps out the dynamics of reading literature The state of the art of research on the Metamorphoses

Alison Sharrock is Professor of Classics at the University of Manchester, where she has taught classical languages and literatures since 2000. She is currently Head of the Department of Classics, Ancient History, Archaeology, and Egyptology. Her publications include Seduction and Repetition in Ovid's Ars Amatoria 2 (OUP, 1994), Intratextuality: Greek and Roman Textual Relations (co-edited with Helen Morales; OUP, 2000), The Art of Love: Bimillennial Essays on Ovid's Ars Amatoria and Remedia Amoris (co-edited with Roy Gibson and Steven Green; OUP, 2007), and Lucretius: Poetry, Philosophy, Science (co-edited with Daryn Lehoux and A. D. Morrison; OUP, 2013). Daniel Möller is Associate Professor of Comparative Literature at Lund University. His main publications in Swedish and English range from Early Modern Swedish poetry and its relation to Early Modern European and Latin poetry to Swedish funerary Baroque poetry for animals. He has also published a monograph on the poetics of role-playing poetry and experimental occasional verse in the 18th century. In 2016, he co-edited an anthology on Swedish poetry, embracing a vast selection from the very origins to the modern poetry of today. Mats Malm is Professor of Comparative Literature at the University of Gothenburg. Malm has published monographs on Early Modern Scandinavian historiography, the first Swedish novels, on Swedish Baroque and on the voice in poetry. His monographs in English treat the Swedish Baroque from the perspective of history of literature, ideas and media, and the reception of Aristotle's Poetics, following redefinitions of the soul of poetry up to Romanticism.

A significant new interpretation of the Ovid's masterpiece, with all Latin and Greek translated Demonstrates that the poem is more than just a set of stories of change, but also maps out the dynamics of reading literature The state of the art of research on the Metamorphoses