Among the papers here are contemporary reviews of Milner's books by both Winnicott and the poet W.H. Auden - the latter providing fascinating insights into his own views on psychoanalysis. Malcolm Bowie discusses Winnicott's legacy to psychoanalysis and art; Adam Phillips writes on 'Winnicott's Hamlet' and John Fielding tackles another Shakepearean theme in examining Othello. The book also contains papers by the distinguished British authors Michael Podro and Ken Wright, several appreciations of Marion Milner by those who knew and worked with her, and an illuminating introduction by Lesley Caldwell drawing together the book's themes.The papers in this volume are united by a very Winnicottian concern with aliveness, and with art. They are both a fitting tribute to Marion Milner and a testimony to the range and depth of work taking place under the aegis of The Squiggle Foundation.

This volume in the Winnicott Studies series is dedicated to the life and work of Marion Milner and reflects, in varying ways, her unique use of Winnicott's work to shape her own thinking about art and creativity. Among the papers here are contemporary reviews of Milner's books by both Winnicott and the poet W.H. Auden - the latter providing fascinating insights into his own views on psychoanalysis. Malcolm Bowie discusses Winnicott's legacy to psychoanalysis and art; Adam Phillips writes on 'Winnicott's Hamlet' and John Fielding tackles another Shakepearean theme in examining Othello. The book also contains papers by the distinguished British authors Michael Podro and Ken Wright, several appreciations of Marion Milner by those who knew and worked with her, and an illuminating introduction by Lesley Caldwell drawing together the book's themes.The papers in this volume are united by a very Winnicottian concern with aliveness, and with art. They are both a fitting tribute to Marion Milner and a testimony to the range and depth of work taking place under the aegis of The Squiggle Foundation.
Les mer
This volume in the Winnicott Studies series is dedicated to the life and work of Marion Milner and reflects, in varying ways, her unique use of Winnicott's work to shape her own thinking about art and creativity. Among the papers here are contemporary reviews of Milner's books by both Winnicott and the poet W.H. Auden.
Les mer
Introduction -- Psychoanalysis and art: the Winnicott legacy -- Winnicott's Hamlet -- "I thought so then": Othello and the unthought known -- On imaginary presence -- To make experience sing -- Creativity, playing, dreaming: overlapping circles in the work of Marion Milner and D. W. Winnicott -- To unravel unhappiness -- Critical notice of On Not Being Able to Paint -- On Robinson Crusoe's island -- Appreciations of Marion Milner
Les mer

Produktdetaljer

ISBN
9781855752535
Publisert
2000-12-31
Utgiver
Taylor & Francis Ltd; Karnac Books
Høyde
230 mm
Bredde
147 mm
Aldersnivå
UU, UP, P, 05, 06
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
180

Redaktør

Om bidragsyterne

Lesley Caldwell is a member of the British Psychoanalytic Association in private practice in London. She is an Honorary Professor in the Psychoanalysis Unit and Honorary Senior Research Associate in the Italian Department at University College, London. As Chair of the Squiggle Foundation (2000-2003) and editor of the 'Winnicott Studies Monograph Series' (2000-2008), she published four edited collections on D. W. Winnicott. She has been an editor for the Winnicott Trust since 2002 and was the Chair of Trustees from 2008-2012. She has a continuing interest in psychoanalysis and the arts and has also written on film and the city of Rome.