<p>âThis collection of essays is enthralling to read for many reasons: the authorâs unique perspective on book history, his insight into the field of scholarly editing, and, especially, a scholarâs detailed use of archival collections.â</p><p>âCheryl Oestreicher <i>Archival Issues</i></p>
<p>âJim Westâs stories about, and his reflections on, his many years editing the works of such major literary writers as Fitzgerald and Styron are told in a humane, reflective, and pragmatic spirit. West brings intriguing evidence to bear. He shows how the <i>Realpolitik</i> of the book trade, the technical concerns of bibliography, and the crises of cultural politics crisscross the editorial arena, complicating the whole endeavor. This engaging book is a narrative capstone to a distinguished career in scholarly editing and book history.â</p><p>âPaul Eggert, University of New South Wales at ADFA, Australian Research Council</p>
<p>âFor many years Jim West has shown that editing literary works is an intensely critical and humane activity that engages the full range of an editorâs learning and abilities. The ten previously published essays selected for this volume have been significantly revised so that this book is the single most authoritative reference for these works. . . . Even those who have participated in his luminous career will be eager to read the two new essays. He is one of very few biblio-textual writers whose works are âa good read.ââ</p><p>âT. H. Howard-Hill, University of South Carolina, editor of the <i>Papers of the Bibliographical Society of America</i></p>
<p>âJames West is one of our most accomplished editors and critics. This welcome new collection of essays on modernist prose writers shows him at his best, weaving expertly between general principles and particular texts by Dreiser, Fitzgerald, Styron, and others. A leading intentionalist scholar, West brings a lifetimeâs knowledge to bear on important works and on the process of constructing them.â</p><p>âGeorge Bornstein, University of Michigan</p>
<p>âJames West adopts and defends a biographerâs approach to textual studies and scholarly editing. For the biographer, there is no source of information, no point of view about the evidence, and no conflicting opinion that is rejected or neglected. The central theme of this book is that textual editing involves constructing narrative explanations for the surviving evidence, giving us purchase on the interpretive consequences of textual variation. As West says, âThis is fun. Itâs what textual editors do.ââ</p><p>âPeter L. Shillingsburg, Loyola University</p>
Produktdetaljer
Om bidragsyterne
James L. W. West III is Edwin Erle Sparks Professor of English at The Pennsylvania State University and general editor of Penn State Studies in the History of the Book. He has published some twenty scholarly editionsâamong them editions of Theodore Dreiserâs Sister Carrie and Jennie Gerhardt; F. Scott Fitzgeraldâs This Side of Paradise and Trimalchio; and William Styronâs Inheritance of Night and Letters to My Father. Westâs books include American Authors and the Literary Marketplace Since 1900 (1988), William Styron: A Life (1998), and The Perfect Hour: The Romance of F. Scott Fitzgerald and Ginevra King (2005). He has been awarded fellowships and grants from the J. S. Guggenheim Foundation, the National Humanities Center, the American Philosophical Society, the National Endowment for the Humanities, and the American Academy in Rome. West has held Fulbright appointments in England at Cambridge University and in Belgium at the UniversitĂŠ de Liège.