Introduction Hans Debel: The Multilingual Textual History of the Hebrew Bible. Some Reflections on the History of the Scriptural Text(s) Markus Mülke: Biblical Poetry as Translation – Biblical Translation as Philology? Jerome’s Promotion of Juvencus’ Evangeliorum Libri and his own Latin Revision of the Gospels Christopher Callahan: Troubadour Songs in Trouvère Codices. Mouvance in the Transmission of Courtly Lyric Jan Bloemendal: Veiled Bilingualism and Editing the Erasmi Opera Omnia (ASD) Jeanine De Landtsheer: From Philip Numan’s Miracles of the Virgin of Montaigu (1604) towards Justus Lipsius’s Diva Sichemiensis sive Aspricolis (1605) Purificación Ribes: Tieck’s 1793 German Version of Volpone. A Challenge for the Editors Burghard Dedner: Intertextual Layers in Translations. Methods of Research and Editorial Presentation Mikas Vaicekauskas: The Lithuanian Book Factory in the Second Half of the Nineteenth Century. Translation, Compilation, Plagiarism or Creative Work? Nathalie Mauriac Dyer: “Minor tongues” in Proust’s Drafts and the Problem of Editing Paul Eggert: Writing in a Language Not Your Own. Editions as Argument about the Work – D. H. Lawrence, Joseph Conrad and Henry Lawson John Gouws: The Textual Trek of Deneys Reitz’s Commando Andrew Thacker: Crossing Borders with Modernist Magazines Pim Verhulst: Editing Multilingual Beckett. The Case of Cascando Axel Gellhaus and Therese Kaiser: How to Edit Celan as a Translator? Peter Shillingsburg: Scholarly Editing as a Cultural Enterprise Reviews Notes on Contributors