It has often been claimed that the aim of semiotics is to establish a general theory of systems of signification. However, as Jean-Claude Coquet notes in a recent collection of essays, what distinguishes one school of semiotics from another is the initial definition given of sign. If, for certain semioticians, the sign is first of all an observable phenomenon, for the Paris School it is first of all a construct and this point of departure has crucial theoretical and practical consequences. The essays appearing in these two volumes are representative of recent work carried out by members of this semiotic school. Essays in Volume I study problems more closely related to theoretical issues, while Volume II focuses more specifically on various fields of application.
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1. Introduction (by Hammad, Manar); 2. Basil soup or the construction of an object of value (by Greimas, Algirdas Julien); 3. Linguistic meaning and re-interpretation (by Quere, Henri); 4. The function of admiration in the esthetic of the XVIIth century. The "Roman Charity scene" in Poussin's La Manne (by Thurlemann, Felix); 5. The semiotics of the plastic arts and the language of advertising (by Floch, Jean-Marie); 6. Public opinion and its spokesmen (by Landowski, Eric); 7. On demonstration (by Bastide, Francoise); 8. Toward a semantics of folk-tradition (by Courtes, Joseph); 9. Knowing, believing and communicatingin parables (by Delorme, Jean); 10. A semiotic approach to psychomotor therapy (by Darrault, Ivan); 11. Enuncation: Truth or literary convention? (by Calame, Claude)
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Produktdetaljer

ISBN
9789027219435
Publisert
1989-01-01
Utgiver
Vendor
John Benjamins Publishing Co
Vekt
460 gr
Høyde
245 mm
Bredde
164 mm
Aldersnivå
UP, P, 05, 06
Språk
Product language
Engelsk
Format
Product format
Innbundet