Exploring the ways in which transatlantic relationships functioned in the nineteenth century to unsettle hierarchical models of gender, race and national and cultural differences, this collection takes up a rich range of authors and topics, from Charlotte Smith and Charles Brockden Brown to Herman Melville, and from representations of indigenous re

Contents: Introduction: mobilizing gender, race, and nation, Kevin Hutchings and Julia M. Wright; Part 1 Transatlantic Mobility: Gender and Sexuality: Charlotte Smith and the spectre of America, Jared Richman; Romantic aesthetics, gender, and transatlantic travel in Anna Brownwell Jameson's Winter Studies and Summer Rambles in Canada, Charity Matthews; Felicia Hemans, Herman Melville and the queer Atlantic, Daniel Hannah. Part 2 Reconfiguring Race: Prophets of resistance: Native American shamans and anglophone writers, Tim Fulford; Frederick Douglass and transatlantic echoes of 'the color line', Bridget Bennett; Pirates and patriots: citizenship, race and the transatlantic adventure novel, Sarah H. Ficke. Part 3 Cultural Exchanges: Print, Tourism, and Politics: Charles Brockden Brown and England: of genres, the Minerva Press, and the early republican reprint trade, Eve Tavor Bannet; Romantic Niagara: environmental aesthetics, indigenous culture, and transatlantic tourism, 1794-1850, Kevin Hutchings; Beyond the American empire: Charles Brockden Brown and the making of a new global economic order, Wil Verhoeven; Bibliography; Index.

'The essays in Transatlantic Literary Exchanges examine spaces where national attachments are mixed, multiple, and/or ambiguous. In focusing on such liminal spaces in an impressive range of works and authors, the collection offers many important new insights into the construction of-and contestation over-key conceptual categories, such as sexuality, nature, and genre. These insights pose profound questions about the way we approach particular authors, how we think of American and British literature in general from the late eighteenth through mid-nineteenth centuries, and, ultimately, about the stories we tell about this period in literary history.' Jim Egan, Brown University '[This book] is interdisciplinary and consistently thorough in its analyses, being concerned with transatlantic culture in all its many facets - historical, political, philosophical and theological - and the combined effect is to read the nineteenth-century Atlantic world as an imaginative space where social, economic and political exchange occurs in frequently surprising, and often destabilising, cultural forms.' Literature and History '[This book] brings together a range of topics and methodologies relevant to transatlantic studies, providing a current introduction to the field by describing ongoing trends and highlighting particular researches.' Romanticism