With a foreword from the celebrated cultural economist Bruno Frey and nine essays exploring the cultural and economic impact of Shakespeare in his own day and the present, Shakespeare’s Cultural Capital forms a unique offering to the study of cultural economics and Shakespeare.

Foreword by Bruno Frey, Zeppelin University, Germany.- Chapter 1: Introduction; Dominic Shellard, Siobhan Keenan, de Montfort University, UK.- Chapter 2: Shakespeare and the Market in his Own Day; Siobhan Keenan.- Chapter 3: Shakespeare and the Impact of Editing; Gabriel Egan, de Montfort University, UK.- Chapter 4: Marketing Shakespeare on Film: From Tragedy to Biopic, Deborah Cartmell, de Montfort University, UK.- Chapter 5. Shakespearean Actors, Memes, Social Media and the Circulation of Shakespearean ‘Value’; Anna Blackwell, de Montfort University, UK.- Chapter 6: Ales, Beers, Shakespeares; Graham Holderness and Bryan Loughrey, University of Hertfordshire, UK.- Chapter 7. A King Rediscovered: the Economic Impact of Richard III and Richard III on the City of Leicester; Dominic Shellard-. Chapter 8: Shakespeare is ‘GREAT’ Conrad Bird, GREAT Britain Campaign, Foreign and Commonwealth Office, UK; Jason Eliadis and Harvey Scriven, Arcadian Consultancy, UK.- Chapter 9: Sponsored by Shakespeare; Susan Bennett, University of Calgary, Canada.

Shakespeare is a cultural phenomenon and arguably the most renowned playwright in history. In this edited collection, Shellard and Keenan bring together a collection of essays from international scholars that examine the direct and indirect economic and cultural impact of Shakespeare in the marketplace in the UK and beyond. From the marketing of Shakespeare’s plays on and off stage, to the wider impact of Shakespeare in fields such as education, and the commercial use of Shakespeare as a brand in the advertising and tourist industries, this volume makes an important contribution to our understanding of the Shakespeare industry 400 years after his death. With a foreword from the celebrated cultural economist Bruno Frey and nine essays exploring the cultural and economic impact of Shakespeare in his own day and the present, Shakespeare’s Cultural Capital forms a unique offering to the study of cultural economics and Shakespeare.

“Over the course of the 2016 anniversary celebrations, much will be said about Shakespeare's value. And yet, his very real cash value will remain for the most part the elephant in the room.  Here at last is a book which owns up to it, and it's wide-ranging and insightful. Properly and refreshingly serious about Shakespeare's harder contributions to the cultural economy.  And because of this honest worldliness, sometimes also funny.” (Professor Ewan Fernie, University of Birmingham, UK) “This wide-ranging and diverse set of essays demonstrate that, where Shakespeare is concerned, money matters. From the financial constraints and opportunities that shaped Shakespeare’s own writing, to the ongoing exploitation of the Shakespeare brand to sell books, beers, dead kings and living actors, this book argues that Shakespeare’s currency is inextricable from the worlds of big business, cultural imperialism, international diplomacy and corporate art. On the 400th anniversary of his death, Shakespeare’s Cultural Capital makes a timely and important case for the ongoing value of Shakespeare’s stock.” (Dr Peter Kirwan, University of Nottingham, UK) “A fascinating historical and thematic variety of Shakespeare branding, from his place in early modern commercial theatre and publishing, to his power to sell beer, and his importance in the current GREAT Britain government campaign to attract international investment in the UK. Its contributors raise awareness of our own responsibility as consumers of Shakespeare, as scholars, playgoers and members of the public.” (Professor Alison Findlay, Lancaster University, UK)

"Over the course of the 2016 anniversary celebrations, much will be said about Shakespeare's value. And yet, his very real cash value will remain for the most part the elephant in the room. Here at last is a book which owns up to it, and it's wide-ranging and insightful. Properly and refreshingly serious about Shakespeare's harder contributions to the cultural economy. And because of this honest worldliness, sometimes also funny." (Professor Ewan Fernie, University of Birmingham, UK) "This wide-ranging and diverse set of essays demonstrate that, where Shakespeare is concerned, money matters. From the financial constraints and opportunities that shaped Shakespeare's own writing, to the ongoing exploitation of the Shakespeare brand to sell books, beers, dead kings and living actors, this book argues that Shakespeare's currency is inextricable from the worlds of big business, cultural imperialism, international diplomacy and corporate art. On the 400th anniversary of his death, Shakespeare's Cultural Capital makes a timely and important case for the ongoing value of Shakespeare's stock." (Dr Peter Kirwan, University of Nottingham, UK) "A fascinating historical and thematic variety of Shakespeare branding, from his place in early modern commercial theatre and publishing, to his power to sell beer, and his importance in the current GREAT Britain government campaign to attract international investment in the UK. Its contributors raise awareness of our own responsibility as consumers of Shakespeare, as scholars, playgoers and members of the public." (Professor Alison Findlay, Lancaster University, UK)

2016 marks 400 years since Shakespeare's death and this collection of essays examines the impact the Shakespeare industry still has on today's economy Examines the cultural and economic impact of Shakespeare in the marketplace, in both his own day and the present Cultural economist Bruno Frey comments on how Shakespeare is exploited today and welcomes a new area of research in cultural economics

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