Cultural diversity remains a complex issue for its depiction and appreciation vary according to the historical, geographical or ethical context in which it is considered. The articles in this volume draw on examples to explore how diversity is questioned and negotiated both within and beyond the parameters of colonial or post-colonial experience.

Contents: Rüdiger Ahrens: Identity and Alterity in Post-colonial Film Versions: A Passage to India and Apocalypse Now – Guillermo Iglesias Díaz: Slumdog Millionaire: (Hyper)modern Tales of India’s Glocalized Economy – Barbara Antonucci: «Lost in Transition»: Indianness and Diasporic Humour in Audio-visual Productions – Judith Kohlenberger: Tupi or not Tupi: Diversity, Conformity, and the Cultural Work of Cannibalism in How Tasty Was My Little Frenchman – Sue Ryan-Fazilleau (†): Hybridity and Cultural Diversity: Changing Perceptions of Aboriginality (1972-2009) – Agnieszka Soltysik Monnet: Black Like Me: Tropes of Racial Transformation in Contemporary Cinema – Kimberly Frohreich Gaydon: On District 9 - the Alien as Racial Other – Samuele Grassi: From Printed Page to Picture: Progression and Regression in Neil Jordan’s Screenwriting – Ewa Macura: London’s Narratives of Diversity: Stephen Frears’s Dirty Pretty Things – Renée Dickason: Revisiting Britain: Facets of Cultural Diversity and Difference in British Fictional Television Series – Amandine Ducray: Post-multiculturalism on British Television: A Portrait of a People in the Blair Years – Georges Fournier: The Fictional Treatment of Diversity and Ethnic Issues on British Television since 9/11 – Gilles Teulié: Cultural Diversity and National Identity in Anglo-Boer War Propaganda Images – Pavlina Ferfeli: «America Heroica, Lord Israel and Latin Borghese»: Mina Loy’s Body as Intercultural Arrow.