The strength of Rural Realities, Urban Fictions lies in the helpful collation of what are arguably little-known and non-canonical texts. ... The sections of close reading of primary texts are concise, convincing, and clearly structured.

Vidya Ravi, Cambridge Quarterly

provides both a new view of the literary past and a compelling reason to begin reading postbellum rural American literature.

Alexandra Manglis, The Times Literary Supplement

Self-aware, critically engaged, and often compelling - and providing a welcome corrective to the shortcomings of regionalist studies -Rural Fictions6R exposes our limited views on genre, period, and geography, and it should propel us to reconsider and reinvent them.

Karen Kilcup, Journal of American Studies

This study of late nineteenth-century American literature begins with a simple question: how did the rise of an urban society affect the ways in which the nation's writers represented the countryside? In offering an answer, Rural Fictions, Urban Realities remaps our understanding of American literature by examining the period through its 'rural fictions'. From the coasts of Maine to the ranches of Wyoming, and from the farms of the Midwest to the small towns of the South, tales of rural life reveal the profound and sometimes problematic connections between rural America and its growing urban centers between the 1870s and the 1900s. Moreover, those connections are illuminated by showing how the representation of vital, contested, and sometimes controversial aspects of everyday life--train journeys, travelling circuses, country doctors, and lynch mobs--offer a distinct way of understanding the era's deeper social transformations. In keeping with this unique approach to the period's literature, this book ranges across a number of works by writers who have largely dropped out of scholarly discussion (Edward Eggleston, Alice Brown, Joseph Kirkland, Mary Noailles Murfree, and Booth Tarkington, to name a few) whilst also reexamining works by more well-known figures (Sarah Orne Jewett, Owen Wister, Charles Chesnutt, William Dean Howells, and Hamlin Garland, amongst others). Rural Fictions, Urban Realities proposes a new literary geography of Gilded Age America, and in the process contributes to our understanding of how we represent and register the cultural complexities of modernization.
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This study of late nineteenth-century American literature uses the period's rural fiction to reveal the increasingly intricate and sometimes problematic connections between urban and rural life.
Introduction ; Rural Fictions, Urban Realities ; Chapter One ; Lines of time, sight and capital: Train Journeys ; Chapter Two ; Commerce and Carnival at the Canvas City: Travelling Circuses ; Chapter Three ; The Place of Medical Knowledge: Country Doctors ; Chapter Four ; A Government of Men and Not of Laws: Lynch Mobs ; Chapter Five ; Geographies of the Future: Utopias ; Conclusion ; Notes
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The strength of Rural Realities, Urban Fictions lies in the helpful collation of what are arguably little-known and non-canonical texts. ... The sections of close reading of primary texts are concise, convincing, and clearly structured.
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"Storey's book is persuasive and eye-opening, making a compelling case for the importance of rural fictions for our under- standing of modernity and the process of modernization."--Nineteenth-Century Literature "In this ambitious first book, Storey demonstrates the importance of rural fictions as the means of complicating and refreshing our mostly one-eyed view of America's literary development. As such, Rural Fictions belongs with an emerging movement in nineteenth-century American literary studies that advocates a focus on a multidimensional modernity instead of on a singular, undeviating one... [It]provides both a new view of the literary past and a compelling reason to begin reading postbellum rural American literature."--Times Literary Supplement "Meticulously researched and full of fascinating juxtapositions of literary and historical processes, Rural Fictions, Urban Realities bridges the divide between regionalism and modernization as it demonstrates how postbellum rural fiction documents the effects of urbanism well beyond the borders of actual cities."--Hsuan L. Hsu, author of Geography and the Production of Space in Nineteenth-Century American Literature "By interrogating the spatial and literary configurations of urban and rural--and by dismantling their use as signposts for the modern and the pre-modern--Mark Storey redefines our understanding of the rural in fresh and exciting ways. Readers will learn much from this illuminating book."--Donna Campbell, author of Resisting Regionalism: Gender and Naturalism in American Fiction, 1885-1915 "Self-aware, critically engaged, and often compelling -- and providing a welcome corrective to the shortcomings of regionalist studies -- Rural Fictions exposes our limited views on genre, period, and geography, and it should propel us to reconsider and reinvent them."--Karen Kilcup, Journal of American Studies "This book reminds readers of how literary fictions can not only influence but also transform our understanding of key historical events. In essence, Storey highlights the power of stories to shape and be shaped by the realities of Gilded Age America's changing geographies."--Cara Erdheim, Studies in American Naturalism "Recommended." --Choice The virtues of the book are many... [T]he book is, chapter by chapter, a refreshingly innovative take on the field. --The New England Quarterly "Mark Storey's nuanced study evokes and analyzes the continuing power of the country/city binary, at the same time showing us that rural fiction and urban modernity are inescapably connected, composing a single complex landscape. His thematic chapters--on such wide-ranging topics as train journeys, the country doctor, and lynch law--effortlessly integrate genre criticism and cultural history." --June Howard, author of Publishing the Family
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Selling point: Provides an authoritative introduction to prominent themes in rural fiction Selling point: Discusses a range of nineteenth-century writers that includes Hamlin Garland, Sarah Orne Jewett, and William Dean Howells
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Mark Storey is Assistant Professor of English at the University of Warwick.
Selling point: Provides an authoritative introduction to prominent themes in rural fiction Selling point: Discusses a range of nineteenth-century writers that includes Hamlin Garland, Sarah Orne Jewett, and William Dean Howells
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Produktdetaljer

ISBN
9780199893188
Publisert
2013
Utgiver
Vendor
Oxford University Press Inc
Vekt
530 gr
Høyde
160 mm
Bredde
239 mm
Dybde
28 mm
Aldersnivå
UP, 05
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
208

Forfatter

Om bidragsyterne

Mark Storey is Associate Lecturer at the University of Nottingham.