"The volume consists of a detailed introduction and 21 essays arranged into seven parts in terms of theme and time. In size, it is imposing; in scope, it is inspiring." Lawrence Kowerski in <i>BMCR 2021.04.35</i>

In The Reception of Greek Lyric Poetry in the Ancient World: Transmission, Canonization and Paratext, a team of international scholars consider the afterlife of early Greek lyric poetry (iambic, elegiac, and melic) up to the 12th century CE, from a variety of intersecting perspectives: reperformance, textualization, the direct and indirect tradition, anthologies, poets’ Lives, and the disquisitions of philosophers and scholars. Particular attention is given to the poets Tyrtaeus, Solon, Theognis, Sappho, Alcaeus, Stesichorus, Pindar, and Timotheus. Consideration is given to their reception in authors such as Aristophanes, Herodotus, Plato, Plutarch, Athenaeus, Aelius Aristides, Catullus, Horace, Virgil, Ovid, and Statius, as well as their discussion by Peripatetic scholars, the Hellenistic scholia to Pindar, Horace’s commentator Porphyrio, and Eustathius on Pindar.
Les mer
In The Reception of Greek Lyric Poetry in the Ancient World: Transmission, Canonization and Paratext, twenty-one international scholars discuss the afterlife of early Greek lyric poetry (iambic, elegiac, and melic) from the 5th century BCE to the 12th century CE.
Les mer
Preface Note on Abbreviations, Texts, and Translations Notes on Contributors 1 The Reception of Greek Lyric Poetry in the Ancient World: Transmission, Canonization, and Paratext  Bruno Currie and Ian Rutherford Part 1 Transmission 2 New Philology and the Classics: Accounting for Variation in the Textual Transmission of Greek Lyric Poetry  André Lardinois 3 Tyrtaeus the Lawgiver: Plutarch and Diodorus Siculus on Tyrtaeus fr. 4  Eveline van Hilten-Rutten Part 2 Canons 4 On the Shaping of the Lyric Canon in Athens  Gregory Nagy 5 Melic Poets and Melic Forms in the Comedies of Aristophanes: Poetic Genres and the Creation of a Canon  Claude Calame 6 Structuring the Genre: The Fifth- and Fourth-Century Authors on Elegy and Elegiac Poets  Krystyna Bartol Part 3 Lyric in the Peripatetics 7 The Peripatetics and the Transmission of Lyric  Theodora A. Hadjimichael 8 The Self-Revealing Poet: Lyric Poetry and Cultural History in the Peripatetic School  Elsa Bouchard Part 4 Early Reception 9 Lyric Reception and Sophistic Literarity in Timotheus’ Persae  David Fearn 10 “Total Reception”: Stesichorus as Revenant in Plato’s Phaedrus (with a New Stesichorean Fragment?)  Andrea Capra 11 Indirect Tradition on Sappho’s kertomia  Maria Kazanskaya Part 5 Reception in Roman poetry 12 Alcaeus’ stasiotica: Catullan and Horatian Readings  Ewen Bowie 13 Pindar, Paratexts, and Poetry: Architectural Metaphors in Pindar and Roman Poets (Virgil, Horace, Propertius, Ovid, and Statius)  Gregor Bitto Part 6 Second Sophistic Contexts 14 Sympotic Sappho? The Recontextualization of Sappho’s Verses in Athenaeus  Stefano Caciagli 15 A Sophisticated hetaira at Table: Athenaeus’ Sappho  Renate Schlesier 16 Solon and the Democratic Biographical Tradition  Jessica Romney 17 Strategies of Quoting Solon’s Poetry in Plutarch’s Life of Solon  Jacqueline Klooster 18 Playing with Terpander & Co.: Lyric, Music, and Politics in Aelius Aristides’ To the Rhodians: Concerning Concord  Francesca Modini Part 7 Scholarship 19 Historiography and Ancient Pindaric Scholarship  Tom Phillips 20 Poem-Titles in Simonides, Pindar, and Bacchylides  Enrico Emanuele Prodi 21 Ita dictum accipe: Pomponius Porphyrio on Early Greek Lyric Poetry in Horace  Johannes Breuer 22 Pindar and His Commentator Eustathius of Thessalonica  Arlette Neumann-Hartmann Index of Passages General Index
Les mer

Produktdetaljer

ISBN
9789004414518
Publisert
2019
Utgiver
Brill; Brill
Vekt
1030 gr
Høyde
235 mm
Bredde
155 mm
Aldersnivå
P, UP, 06, 05
Språk
Product language
Engelsk
Format
Product format
Innbundet

Om bidragsyterne

Bruno Currie, DPhil (2000), Oxford University, is Associate Professor of Classics at that university. His research interests include early Greek epic and lyric poetry and Greek religion. He is the author of Pindar and the Cult of Heroes (OUP, 2005) and Homer’s Allusive Art (OUP, 2016).
Ian Rutherford, DPhil (1986), Oxford University, Professor of Classics at Reading University, works on Greek poetry and religion and its Mediterranean/W. Asiatic contexts. Recent books include State Pilgrims and Sacred Observers in Ancient Greece (2013) and Greco-Egyptian Interactions (2016).

List of Contributors: Andre Lardinois, Eveline van Hilten-Rutten, Gregory Nagy, Claude Calame, Krystyna Bartol, Theodora Hadjimichael, ElsaBouchard, David Fearn, Andrea Capra, Maria Kazanskaya, Ewen Bowie, Gregor Bitto, Stefano Caciagli, Renate Schlesier, Jessica Romney, Jacqueline Klooster, Francesca Modini, Tom Phillips, Enrico Prodi, Johannes Breuer, Arlette Neumann-Hartmann.