This book is an advanced critical introduction to Greek tragedy. It is written specifically for the reader who does not know Greek and who may be unfamiliar with the context of the Athenian drama festival but who nevertheless wants to appreciate the plays in all their complexity. Simon Goldhill aims to combine the best contemporary scholarly criticism in classics with a wide knowledge of modern literary studies in other fields. He discusses the masterpieces of Athenian drama in the light of contemporary critical controversies in such a way as to enable the student or scholar not only to understand and appreciate the texts of the most commonly read plays, but also to evaluate and utilize the range of approaches to the problems of ancient drama. This revised edition contains a substantial new Introduction which engages with critical and scholarly developments in Greek tragedy since the original publication.
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Preface; 1. The drama of logos; 2. The language of appropriation; 3. The city of words; 4. Relations and relationships; 5. Sexuality and difference; 6. Text and tradition; 7. Mind and madness; 8. Blindness and insight; 9. Sophistry, philosophy, rhetoric; 10. Genre and transgression; 11. Performance and performability; Bibliography; Index.
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Revised edition of a pioneering critical introduction to Greek tragedy which helps readers appreciate the plays in all their complexity.

Produktdetaljer

ISBN
9781009183031
Publisert
2023-11-02
Utgave
2. utgave
Utgiver
Vendor
Cambridge University Press
Vekt
549 gr
Aldersnivå
G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
336

Forfatter

Om bidragsyterne

Simon Goldhill is a Professor of Greek at the University of Cambridge and a Fellow of King's College, as well as the Foreign Secretary of the British Academy. He is one of the best-known classicists of his generation who has lectured all over the world, and he has appeared on TV and radio from Canada to Australia. His books have been translated into twelve languages and have won three international prizes. His most recent is The Christian Invention of Time (Cambridge, 2022).