...[I]ts eclectic contextual and thematic studies, wonderfully reflective of the current state of the eighteenth-century studies as a discipline, will reveal the period's relationship to poetry in all its complexity and contradiction.

Emrys Jones, King's College London, New Rambler

The best pieces in this volume take account of recent book history, which has transformed our understanding of print culture in the period... Hammond's exemplary account, wide-ranging, insightful, and beautifully written,is one example among many of the riches of this book.

Jane Darcy (University College, London), Modern Language Review

Once again Oxford University Press has published a library staple... A core collection for university or college libraries supporting English literature programmes. It should also be seriously considered as an excellent addition to the stock of public libraries supporting a poetry collection... This Handbook distinguishes itself through its coverage, presentation and writing style.

Linda Kemp (Nottingham Trent University), Reference Reviews

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These essays are witty, erudite, and enormously helpful to anyone reading or teaching in this area ... [the] chapters are similarly gratifying, and I think this will be a useful text for studying the poetry of the eighteenth century.

George E. Haggerty, SEL Studies in English Literature 1500-1900

The Oxford Handbook of British Poetry, 1660-1800 displays scholarship at its communal best

Norma Clarke, Times Literary Supplement

In the most comprehensive and up-to-date overview of the poetry published in Britain between the Restoration and the end of the eighteenth century, forty-four authorities from six countries survey the poetry of the age in all its richness and diversity--serious and satirical, public and private, by men and women, nobles and peasants, whether published in deluxe editions or sung on the streets. The contributors discuss poems in social contexts, poetic identities, poetic subjects, poetic form, poetic genres, poetic devices, and criticism. Even experts in eighteenth-century poetry will see familiar poems from new angles, and all readers will encounter poems they've never read before. The book is not a chronologically organized literary history, nor an encyclopaedia, nor a collection of thematically related essays; rather it is an attempt to provide a systematic overview of these poetic works, and to restore it to a position of centrality in modern criticism.
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In the most comprehensive, up-to-date account of the poetry published in Britain between the Restoration and the end of the eighteenth century, a team of leading experts surveys the poetry of the age in all its richness and diversity. They provide a systematic overview, and restore these poetic works to a position of centrality in modern criticism.
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Introduction Part I: Poems in Social Settings 1: William Donaldson: Poems on the Streets 2: Cynthia Wall: Poems on the Stage 3: James McLaverty: Poems in Print 4: Jennifer Batt: Poems in Magazines 5: Tom Keymer: Poems in the Novel 6: Andrea Immel and Lissa Paul: Poems in the Nursery 7: Richard Terry: Poems in the Lecture Hall Part II: Poetic Identities 8: Moyra Haslett: The Poet as Clubman 9: Brean Hammond: The Poet as Professional 10: Bridget Keegan: The Poet as Laborer 11: Lorna Clymer: The Poet as Teacher 12: Rivka Swenson: The Poet as Man of Feeling 13: Marshall Brown: The Poet as Genius 14: Nick Groom: The Poet as Fraud 15: Isobel Grundy: The Poet as Poetess Part III: Poetic Subjects 16: David F. Venturo: Poems on Poetry 17: Christine Gerrard: Poems on Politics 18: Leith Davis: Poems on Nation and Empire 19: Pat Rogers: Poems on Science and Philosophy 20: Donna Landry: Poems on Place 21: Catherine Ingrassia: Poems on the Sexes Part IV: Poetic Form 22: J. Paul Hunter: Couplets 23: Conrad Brünstrom: Blank Verse 24: Rodney Stenning Edgecombe: Stanzas 25: Richard Bradford: Free Verse and Prose Poetry Part V: Poetic Genres 26: David Hill Radcliffe: Pastoral 27: David Fairer: Georgic 28: Anna Foy: Epic 29: Ashley Marshall: Satire 30: Sandro Jung: Ode 31: James D. Garrison: Elegy 32: Ruth Perry: Ballad 33: Emma Mason: Devotional Poetry 34: Jennifer Keith: Lyric 35: Tanya Caldwell: Translation Part VI: Poetic Devices 36: Timothy Erwin: Imagery 37: Blanford Parker: Metaphor 38: Marcus Walsh: Allusion 39: Jack Lynch: Irony Part VII: Criticism 40: Adam Rounce: Scholarship 41: Philip Smallwood: Histories 42: Antonia Forster: Reviews 43: Daniel J. Ennis: Honors
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An authoritative and comprehensive volume on a fascinating period of British poetry Written by an international team of leading experts Essential reading for anyone interested in the subject Sheds new light on a variety of poetry, from well known writings to obscure and neglected verse
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Jack Lynch is Professor of English at Rutgers University-Newark, and the author or editor of eighteen books, including The Age of Elizabeth in the Age of Johnson and Deception and Detection in Eighteenth-Century Britain. He is co-editor of The Age of Johnson: A Scholarly Annual.
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An authoritative and comprehensive volume on a fascinating period of British poetry Written by an international team of leading experts Essential reading for anyone interested in the subject Sheds new light on a variety of poetry, from well known writings to obscure and neglected verse
Les mer

Produktdetaljer

ISBN
9780198861348
Publisert
2020
Utgiver
Vendor
Oxford University Press
Vekt
1382 gr
Høyde
241 mm
Bredde
166 mm
Dybde
42 mm
Aldersnivå
U, 05
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
818

Redaktør

Om bidragsyterne

Jack Lynch is Professor of English at Rutgers University-Newark, and the author or editor of eighteen books, including The Age of Elizabeth in the Age of Johnson and Deception and Detection in Eighteenth-Century Britain. He is co-editor of The Age of Johnson: A Scholarly Annual.