Wiggins charts just one of the paths by which newness—in its avatars as fashion, novelties, and the novel—entered the European world in the decades around 1700. As readers across Europe snapped up novels, they domesticated the genre.

Introduction: "Little French books" and the European Novel 1. Fashion Restructures the Literary Field 2. Curing the French Disease 3. 1688: The Roman Becomes Both Poetical and Popular 4. 1696: Bringing the Roman to Market Conclusion. Robinson Crusoe Sails on the European MarketBibliography Index

Bethany Wiggin addresses the culture of the novel in Europe in what she argues should be understood as the important transitional period of the late seventeenth and early eighteenth centuries. Though she focuses primarily on German-language works, Wiggin intervenes in histories of the novel told merely as narratives of nation, working comparatively across the German-language, French, and English traditions. Deeply engaged with contemporary debates about translation and transnationalism, globalism and world literature, print culture and gender, Wiggin puts pressure on both period and genre categories in innovative ways. Novel Translations will encourage scholars in a number of fields to take a second look at the intersection of several European cultures in these neglected years.

Series editor: Peter Uwe Hohendahl, Cornell University Signale: Modern German Letters, Cultures, and Thought provides a new publishing model for the best new English-language book manuscripts in German literature, criticism, and cultural studies and translations of important German-language works. Signale construes "modern" in the broadest terms: from post-medieval Frühe Neuzeit to post-modern present. Home to a range of interdisciplinary and theoretical work concerned with this extended modernity, the series will also build focus clusters in areas of German Studies scholarship that have become increasingly difficult to place in the North American publishing context, but which remain fundamental to the health of the discipline. Work on the early modern period – Humanism, Baroque, Enlightenment – will form one such focus area; literary studies of the work of individual authors will be another. One goal is better integration into a broader interdisciplinary understanding of German studies of periods and scholarly genres that are vulnerable to marginalization. Signale books are published under a joint imprint of Cornell University Press and Cornell University Library in electronic and print formats. Manuscript submissions to Signale undergo the same rigorous editorial and peer review as Cornell University Press monographs published in the traditional manner. Publication of Signale books is supported by a grant from The Andrew W. Mellon Foundation. Individuals interested in having their project considered for inclusion in Signale are asked to send a cover letter and a 3- to 5-page prospectus that summarizes the book project, describes its relationship to existing scholarship, and identifies its likely audience. The prospectus should include a chapter outline and specify the length of the manuscript (in words); if the manuscript is not yet completed, a time frame for completion should be included. The letter and prospectus should be sent in electronic form (MS Word) to the managing editor: Kizer Walker Managing Editor, Signale Series Cornell University Library 310 Uris Library Ithaca, NY 14853 email: kw33@cornell.edu For more information about Signale, visit the series website: http://signale.cornell.edu/