Introduction Catalogues Everett FROST and Jane MAXWELL: Catalogue of “Notes Diverse Holo[graph]” Foreword Key to Symbols and Abbreviations Acknowledgments “Notes Diverse, Holo[graph]”. Preface TCD MS 10962: Niccolò Machiavelli and Ludovico Ariosto TCD MS 10963: Dante, The Divine Comedy, Part I TCD MS 10963a: Dante, Inferno, Convivio, and Purgatorio TCD MS 10964: Dante, The Divine Comedy, Part II TCD MS 10965: Giosuè Carducci TCD MS 10965a: Giosuè Carducci and Gabriele d’Annunzio TCD MS 10966: Dante, Inferno Cantos I – V TCD MS 10967: History of Western Philosophy TCD MS 10968: Augustine of Hippo and Porphyry on Plotinus TCD MS 10969: Germany, Europe, and the 95 French Revolution. Rabelais TCD MS 10970: English literature TCD MS 10971/1: German Literature TCD MS 10971/2: Irish history TCD MS 10971/3: University Wits TCD MS 10971/4: Frédéric Mistral and the Félibrige Poets TCD MS 10971/5: Fritz Mauthner TCD MS 10971/6: Latin excerpts from Arnoldus Geulincx and R.P. Gredt TCD MS 10971/7: Psychology TCD MS 10971/8: Psychology TCD MS 10971/9: Giacomo Leopardi, “A Se Stesso” TCD MS 10971/10: the Dublin Horse Show TCD MS 10971/11: Wrapper TCD MSS 10962-71*: Binding Bibliography Jane MAXWELL: Catalogue of the Samuel Beckett Manuscripts at Trinity College Library Dublin The Samuel Beckett Manuscripts at Trinity College Library Dublin Matthijs ENGELBERTS and Everett FROST: Essays 1. John PILLING :‘For Interpolation’: Beckett and English Literature 2. Daniela CASELLI: The Promise of Dante in the Beckett Manuscripts 3. Mark NIXON : “Scraps of German”: Samuel Beckett reading German Literature 4. Dirk Van HULLE: Samuel Beckett’s Faust Notes 5. Frederik N. SMITH: Watt, Watson, and Sherlock Holmes: Watt as Detective Fiction 6. Chris ACKERLEY: An “Other Object of Note”: Circle and Point in Samuel Beckett’s Watt 7. Anna MCMULLAN: Samuel Beckett’s ‘J.M. Mime’: Generic Mutations of a Dramatic Fragment 8. Lois More OVERBECK and Martha Dow FEHSENFELD: In Defense of the Integral Text 9. Matthew FELDMAN: Beckett and Popper, or, “What Stink of Artifice”: Some Notes on Methodology, Falsifiability, and Criticism in Beckett Studies