Monsters and the Poetic Imagination in the Faerie Queene 'Most Ugly Shapes, and Horrible Aspects'
Produktdetaljer
Om bidragsyterne
Maik Goth is a Research Assistant at Ruhr-Universität Bochum<p>'A great strength of Goth's study is its multiple appeal. This weighty contribution to literary studies will interest historians of fantasy, horror and the grotesque, of disability and of teratology, as well as specialists in Spenser, the literary debates of his time, or monsters in fiction. Supporting his text with a wealth of notes, identifying many unexpected contributions and references as well as most of the usual suspects, Goth reliably signposts the complex range of English and European monster traditions, myths and texts, raided, paraded, and upgraded by Spenser for his monsters.'<br />M A Katritzky, The Open University, The Spenser Review, May 2016<br /><br />‘Goth's significant inquiry on monsters in Spenser's <i>Faerie Queene </i>sheds new light on the<br />representation of monstrosity in the Renaissance.’<br />Daniela Carpi<b>, </b><i>Anglistik – International Journal of English Studies </i>27.2 September 2016<br /><br />‘My wanting more is ultimately a sign of the book’s virtues: it is at once learned and engaging. In looking away from the allegorical heroes to consider its varied monsters, it offers a rich new perspective.’<br />Kenneth Hodges, University of Oklahoma</p>
- .,
Edmund Spenser’s The Faerie Queene (1590; 1596) is an epic romance teeming with dragons, fantastic animals, giants, grotesque human-animal composites, monstrous humans and other creatures. This monograph is the first ever book-length account of Spenser's monsters and their relation to the poetic imagination in the Renaissance. It provides readers with an extended discussion of the role monstrous beings play in Spenser's epic romance, and how they are related to the Renaissance notions of the imagination and poetic creation.
This book first offers a taxonomic inventory of the monstrous beings in The Faerie Queene, which analyses them along systematic and anatomical parameters. It then reads monsters and monstrous beings as signs interacting with the early modern discourse on the autonomous poet, who creates a secondary nature through the use of his transformative imagination and fashions monsters as ciphers that need to be interpreted by the reader.
Introduction
Part I: ‘Complicated monsters head and tail’: A primer in Spenser, monsters, and teratology
1. The Faerie Queene – A poem of monsters?
2. The monstrous in the early modern period
3. Historical perspectives on the monstrous
4. How to read monsters: A survey of Spenser studies, and teratology
Part II: Reading the monster: Taxonomy
5. Taxonomic considerations
6. Monsters and monstrous beings in The Faerie Queene
7. Monstrous animals (1): dragons
8. Monstrous animals (2): four-footed beasts
9. Human-animal composites
10. Giants
11. Monstrous humans
12. Automata
13. Taxonomy reconsidered
Part III: Making monsters: The monstrous imagination and the poet’s autonomy in The Faerie Queene
14. The problem of the literary monster in the discourse of the poetic imagination
15. The monstrous and the literary heterocosm
16. In Phantastes’s chamber
17. Animating the monstrous imagination in The Faerie Queene
18. Poetic creation: Spenser as Prometheus
19. The poet’s autonomy and the use of the monstrous imagination
20. Interpreting the monstrous
Conclusion
Bibliography
Index
This monograph is the first comprehensive study of the monsters and monstrous beings in The Faerie Queene. It takes as its starting point Thomas Cooper’s sixteenth-century definition of monstrum, which links the monstrous to the notion of the physically deformed, the violation of the rules of nature, and the idea of the sign that needs interpreting. These distinctions also represent Spenser’s use of monsters and monstrous beings in The Faerie Queene: he fashions monstrosities as physical deformities violating the rules of nature in order to establish them as meaningful ciphers in 'a continued Allegory’ designed to ‘fashion a gentleman or noble person in vertuous and gentle discipline’.
The book combines an inventory of Spenser's creatures with a study of the poem as a monstrous artefact. It first offers a taxonomic account of the monsters in The Faerie Queene, which analyses them along systematic and anatomical parameters. It then treats monsters and monstrous beings as signs interacting with the early modern discourse on the autonomous poet, who creates a secondary nature through the use of his transformative imagination and fashions monsters as ciphers that need to be interpreted by the reader.
This book will appeal to Spenserians and scholars in Renaissance and monster studies, as well as to postgraduate students. It will also be of great interest for university libraries as a reference work on monsters and as a compendium to Renaissance literary criticism.