Metaphors of Confinement The Prison in Fact, Fiction, and Fantasy
Produktdetaljer
Om bidragsyterne
Monika Fludernik is Professor of English at the University of Freiburg. Her areas of research are narratology, postcolonial theory, Law and Literature studies, and the eighteenth century. Her teaching covers the whole breadth of English literature from the Middle Ages to the present, including poetry, drama, and narrative prose. Monika Fludernik was the director of the collaborative research centre "Identities and Alterities" (SFB 541) and is currently the director of a graduate school (GRK 1767) on "Factual and Fictional Narration". In addition to her monographs and numerous edited volumes, she has published over one hundred essays, the majority in refereed journals such as Style, Narrative, Poetics Today, Journal of Literary Semantics, Text, Semiotica, Language and Literature, The Journal of Pragmatics, Diacritics, English Literary History, PMLA and The James Joyce Quarterly. She is a member of the Austrian Academy of Science and the Academia Europaea....it is a valuable resource to anyone aiming to explore the use of metaphors of confinement at a specific point in time with a view 280 Reviews to the cultural work they perform.
Cornelia Wächter, Technische Universität Dresden, De Gruyter
Monika Fludernik's ambitious Metaphors of Confinement looks in at least three directions at once, to take in prisons in literature (mainly in English), including detailed analysis of lesser-known novels ... the autobiographies and fictions of imprisoned writers; and the history of penal institutions and thinking ... Fludernik's imprisoned writers are either religious or political, and their writings are brave acts.
Jenny Hartley, Times Literary Supplement
Fludernik's real interest is in the ambivalence of certain recurring metaphorical topoi, and in bringing this ambivalence to the surface in close readings of texts. This Fludernik does with a rigor, thoroughness, and range that is truly Herculean. It is difficult to imagine anyone, ever, having the capacity or energy to produce a richer, better-evidenced, more nuanced history of the carceral imaginary in English literature than Fludernik has done.
Maksymilian Del Mar, Style
... comprehensive and insightful study of the "carceral" in literature and of its sources in human experience, from medieval dungeons to a variety of less or more disinfected modern prisons.
Leona Toker, Partial Answers: Journal of Literature and the History of Ideas
Metaphors of Confinement is an important and comprehensive work that will be indispensable for those interested in literary and cultural representations of incarceration. ...Metaphors of Confinement is an integral piece of literary history and criticism and a must-cite for those interested in the intersection of English literature, law, and incarceration.
Jack Quirk, Law, Culture, and Humanities
the culmination of decades of work by one of the world's top narratologists. Fludernik takes the reader through a fascinating, enlightening and often troubling journey through representations of literal, imagined and metaphorical prisons in literatures in English from the Middle Ages to the present day. Drawing eclectically from legal studies, literary criticism, cultural and social theory, stylistics and metaphor theory, the book reveals the many facets of literature's fascination with imprisonment over the centuries, and addresses the ethical issues associated with both literary and real-world prisons. While the book's main contribution is to the study of metaphor, many different audiences will be interested in it for different reasons, and all will marvel at the author's unique combination of towering intellect, theoretical versatility and vast scholarship. There is no doubt that this book is destined to become a classic.
Elena Semino, Lancaster University
Metaphors of Confinement makes a significant contribution to current and ongoing debates on the ethics of imprisonment, on the role of the prison in society and in the cultural imaginary, and on the relations between law and literature from the early modern period to the present. It is a formidable piece of scholarship, wide-ranging in the scope of its research and innovative in its methodology; it is also passionate in its ethical and political commitments, and subtle and learned in its readings of a rich array of fascinating texts. Monika Fludernik's magisterial study will make its mark as an essential point of reference for any future discussion of prisons and prison literature.
Hal Gladfelder, University of Manchester