The intellectual sophistication of [this book's] contributors and the impressive breadth of sources and traditions under their command offer practical value for readers interested not only in global networks of culture, literature, and language, but also in the several voyages of vital, complex, and well-traveled scholarly traditions as they likewise intermingle and relate, translate, to-and-fro.
Journal of the Midwest Modern Language Association
On what terms and concepts can we ground the comparative study of Anglophone literatures and cultures around the world today? What, if anything, unites the novels of Witi Ihimaera, the speculative fiction of Nnedi Okorafor, the life-writings by Stuart Hall, and the emerging Anglophone Arab literature by writers like Omar Robert Hamilton?
This volume explores the globality of Anglophone fiction both as a conceptual framing and as a literary imaginary. It highlights the diversity of lives and worlds represented in Anglophone writing, as well as the diverse imaginations of transnational connections articulated in it.
Featuring a variety of internationally renowned scholars, this book thinks through Anglophone literature not as a problematic legacy of colonial rule or as exoticizing commodity in a global literary marketplace but examines it as an inherently transcultural literary medium. Contributors provide new insights into how it facilitates the articulation of divergent experiences of modernity and the critique of hierarchies and inequalities within, among, and beyond post-colonial societies.
Acknowledgements
List of Contributors
Introduction: The Many Worlds of Anglophone Literature: The mobilizing potential of transcultural World Literature: Magdalena Pfalzgraf and Hanna Teichler
Foreword: On excentric proximity: Some thoughts for Frank Homi K. Bhabha
Part One Theories and concepts
1 'World Literature'? A perspective from the Centre, a perspective from the edge: Michael Chapman
2 Traversal, transversal: A poetics of migrancy: Robert J C. Young
3 On transcultural globalectics: Ngugi meets Schulze-Engler: Tanaka Chidora
Part Two Transgressive kinships
4 Not-so-happy families: Durell, Goodall and the myth of Africa: Graham Huggan
5 The 'makings of a diasporic self': Transcultural life writing, diaspora and modernity in Stuart Hall's Familiar Stranger: Katja Sarkowsky
6 Toward re-centring the senescent: Pedagogical possibilities of Anglophone short fiction: Mala Pandurang and Jinal Baxi
7 Notes from a classroom: Teaching Anglophone transculturality amidst environmental devastations:
Kathrin Bartha-Mitchell and Michelle Stork
Part Three Transversal readings
8 Transculturality and the law: Witi Ihimaera's The Whale Rider and a river with personhood: Mita Banerjee
9 'Mobility at large': Anglophone travel writing as a medium of transcultural communication in a global context: Nadia Butt
10 The transcultural imaginary: South Asian writing from Aotearoa New Zealand:
Janet Wilson
11 Passages to India: Jewish exiles between privilege and persecution Flora Veit-Wild
Afterword: 'Objects in the rear-view mirror': Yvonne Adhiambo Owuor
In the wake of unprecedented technological and social change, contemporary literature has evolved a dazzling array of new forms that traditional modes and terms of literary criticism have struggled to keep up with. New Horizons in Contemporary Writing presents cutting-edge research scholarship that provides new insights into this unique period of creative and critical transformation.
Series Editors: Bryan Cheyette (University of Reading, UK) and Martin Paul Eve (Birkbeck, University of London, UK)
Editorial Board: Siân Adiseshiah (University of Lincoln, UK), Peter Boxall (University of Sussex, UK), Sara Blair (University of Michigan), Robert Eaglestone (Royal Holloway, University of London, UK), Rita Felski (University of Virginia, USA), Rachael Gilmour (Queen Mary, University of London, UK), Caroline Levine (University of Wisconsin–Madison, USA), Roger Luckhurst (Birkbeck, University of London, UK), Adam Kelly (York University, UK), Antony Rowland (Manchester Metropolitan University, UK), John Schad (Lancester University, UK), Pamela Thurschwell (University of Sussex, UK), Ted Underwood (University of Illinois at Urbana-Champaign, USA).
Produktdetaljer
Om bidragsyterne
Silvia Anastasijevic is a doctoral researcher at Goethe University Frankfurt and a research assistant at the University of Bonn, Germany.
Magdalena Pfalzgraf is Junior Professor of English Literatures and Cultures at the University of Bonn, Germany.
Hanna Teichler is a postdoctoral researcher at Goethe University Frankfurt, Germany.