Examines such topics as the autobiographical basis of Gordimer's fiction, her relationship to feminism, the place of the white woman in black Africa, the ambiguity of revolutionary politics, her ambivalent relationship to Judaism, her use of irony, the symbolism of landscape, and other topics.

I: INTRODUCTION - A Changing Face; B.King - 2: GENERAL ESSAYS - 'Nobodies Children': Families in Gordimer's Later Novels; J.Cooke - Collector's Art, Collective Action: The Search for Commitment in Gordimer's Fiction; G.Huggan - Black and White in Grey: Irony and Judgement in Gordimer's Fiction; R.Smith - Placing Spaces: Style and Ideology in Gordimer's Later Fiction; B.Macaskill - Landscape Iconography in the Novels of Nadine Gordimer; K.M.Wagner - 3: THE NOVELS - The Conservationist and the Political Uncanny; L.Engle - The Interregnum of Ownership in July's People; R.Bodenheimer - The Politics of Place in Burger's Daughter; D.Read - Making Metaphors/Moving On: Burger's Daughter and A Sport of Nature; S.Winnett - A Sport of Nature: Identity and Repression of the Jewish Subject; M.Wade - A Sport of Nature and the Boundaries of Fiction; S.Clingman - My Son's Story: Drenching the Censors, the Dilemma of White Writing; S.M.Greenstein - 4: THE SHORTER FICTION - Feminism as 'piffling'? Ambiguities in Gordimer's Short Stories; K.Lazar - Once More into the Burrows: Gordimer's Later Short Fiction; A.R.Lomberg - Archive of Apartheid: Nadine Gordimer's Short Fiction at the End of the Interregnum; J.Colleran - Index

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