A truly magisterial scholarly work on a writer who continues to inspire a small industry of academic labor… In his new 464-page book Gray has produced what may very well be the definitive text on Sebald for both languages and readerships.
Gegenwartsliteratur: Ein germanistisches Jahrbuch (A German Studies Yearbook)
Richard T. Gray is a remarkable reader of W. G. Sebald. Meticulous in his attention to detail as well as learned in understanding of the broader contexts, he teaches us new ways to think about this enigmatic writer.
Carol Jacobs, Birgit Baldwin Professor of Comparative Literature and Professor of German, Yale University, USA
<i>Ghostwriting</i> is well-written, informative, and wonderfully insightful. With a lucid and evocative style, Richard T. Gray presents exciting revelations about new archival materials: Sebald’s marginalia from his library and his partially unpublished manuscript about pending ecological disaster in Corsica (and the world). This book poses the question that all Sebald readers have asked at some point: In what direction might Sebald’s writing have gone if he had not died at age fifty-seven? Gray investigates whether Sebald might have returned to the eco-psychological style of the Corsica piece, as a ghostwriter for nature. Especially welcome is the wide-ranging learnedness, which Gray wears lightly, that makes <i>Ghostwriting</i> not just about Sebald but about modern Western literature and thought. This is an excellent, strong, authoritative book—the first to treat Sebald with the care that such a great writer deserves.
John Zilcosky, Professor of German and Comparative Literature, University of Toronto, Canada
Ghostwriting provides the first comprehensive analysis of the fictional prose narratives of one of contemporary Germany’s most recognized authors, the émigré writer W. G. Sebald. Examining Sebald’s well-known published texts in the context of largely unknown unpublished works, and informed by documents and information from Sebald’s literary estate, this book offers a detailed portrait of his characteristic literary techniques and how they emerged and matured out of the practices and attitudes he represented in his profession as a literary scholar.
The title “Ghostwriting” signals the convergence in Sebald’s works of a set of diverse historical questions, philosophical views, and literary practices. Many historical ghosts haunt Sebald’s narratives on the level of story. Moreover, Sebald’s narrator plays the role of a ghostwriter in the profound sense that his stories fictionally re-enact the histories of obscure, but once-living individuals whose lives they revitalize, and whose fates are tied up with the most virulent historical conjunctures of the modern world. This study thus seeks to comprehend the constitutive elements of Sebald’s “poetics of history,” his implementation of literary tools for effective historical memorializing.
List of Abbreviations
List of Illustrations
Acknowledgments
Introduction: Sebald’s Literary Séance
1. Wittgenstein’s Ghost: Toward Understanding Sebald’s Literary Turn
2. The Birth of the Prose Fictionalizer from the Spirit of Biographical Criticism: Schwindel. Gefühle
3. Sebald’s Literary Refinement: “Dr. Henry Selwyn” and Its Textual Predecessor
4. Neither Here Nor There: Exile as Dis-Placement in “Dr. Henry Selwyn”
5. Sebald’s Ectopia: Homelessness and Alienated Heritage in “Max Aurach”/“Max Ferber”
6. Fabulation and Metahistory: W. G. Sebald and the Problematic of Contemporary (German) Holocaust Fiction
7. Sebald’s Segues: Performing Narrative Contingency in Die Ringe des Saturn
8. Writing at the Roche Limit: Order and Entropy in Die Ringe des Saturn
9. Narrating Environmental Catastrophe: Ecopsychology and Ecological Apocalypse in Sebald’s Corsica Project
Bibliography
Index
This series offers a forum for the publication of new works in all areas of German Studies (German, Austrian, and Swiss literature, culture, and cinema from any period). New Directions in German Studies welcomes proposals that offer a fresh perspective on any vibrant aspect of the field.
A long and venerable tradition of "Germanistik" has been opened up in exciting ways in the past few decades. The series taps into that tradition and its growth into German Studies, reframing aspects of the discipline in light of concerns germane to these fields: German, Austrian, or Swiss national identity and aesthetics; historical approaches to German-language literature and cinema; the legacy of the Holocaust and its influence on aesthetics; politics and aesthetics; issues of canonization and periodization; the place of gender, queer, and postcolonial studies within German Studies; the aesthetics of exile; myth and national identity; cross-cultural dialogues and aesthetics; material culture; German-language aesthetics and globalization. New Directions in German Studies incorporates interdisciplinary approaches to the analysis of the rich intellectual and cultural histories of the German-speaking countries. The series showcases studies focusing on hitherto underrepresented authors, as well as projects that seek to reframe canonical works in light of new perspectives and methodologies.
Editorial Board: Katherine Arens, Roswitha Burwick, Richard Eldridge, Erika Fischer-Lichte, Catriona MacLeod, Stephan Schindler, Heidi Schlipphacke, Andrew J. Webber, Silke-Maria Weineck, David Wellbery, Sabine Wilke, John Zilcosky