“GisÈle Sapiro’s <i>La Guerre des Écrivains</i> originally appeared in 1999. This welcome, if belated, translation after a gap of fifteen years reflects its considerable impact on literary and cultural studies of the Occupation of France since then….What undoubtedly accounts for much of the success of <i>The French Writers’ War 1940–1953</i> is its impressive mastery of a huge amount of data on French literary production of the interwar years and the aftermath of the Occupation: publishers, literary journals and reviews, and a near exhaustive coverage of the writers themselves.” - Nicholas Hewitt (TLS) “<i>The French Writers’ War</i> is an ambitious project. Sapiro has amply succeeded in providing a comprehensive study of four literary institutions, the writers who composed them, and the decisions these figures made before, during, and after the occupation…. <i>The French Writers’ War </i>is an illuminating book and Sapiro deserves to be warmly thanked for her contribution.” - Mattie Fitch (H-War, H-Net Reviews)
Introduction 1
Part I. The Literary Logics of Political Engagement 11
1. Choices under Constraints 13
2. The Responsibility of the Writer 81
3. Literary Salvation and the Literature of Salvation: FranÇois Mauriac and Henry Bordeaux 158
Part II. Literary Institutions and National Crisis 187
4. The Sense of Duty: The French Academy 191
5. The Sense of Scandal: The Goncourt Academy 243
6. The Sense of Distinction: The "NRF Spirit" 293
7. The Sense of Subversion: The ComitÉ national des Écrivains (CNE) 362
Part III. Literary Justice 437
8. The Literary Court 439
9. Literary Institutions and National Reconstruction 491
Conclusion 537
Appendix 1: Presentation of the Survey 551
Appendix 2: The Social Recruitment of the Literary Field and of Its Institutions 561
Notes 573
Bibliography 677
Name Index 721
Produktdetaljer
Om bidragsyterne
GisÈle Sapiro is a sociologist in Paris, where she is Director of Research at the Centre National de la Recherche Scientifique.