“GisÈle Sapiro’s <i>La Guerre des Écrivains</i> originally appeared in 1999. This welcome, if belated, translation after a gap of fifteen years reflects its considerable impact on literary and cultural studies of the Occupation of France since then….What undoubtedly accounts for much of the success of <i>The French Writers’ War 1940–1953</i> is its impressive mastery of a huge amount of data on French literary production of the interwar years and the aftermath of the Occupation: publishers, literary journals and reviews, and a near exhaustive coverage of the writers themselves.” - Nicholas Hewitt (TLS) “<i>The French Writers’ War</i> is an ambitious project. Sapiro has amply succeeded in providing a comprehensive study of four literary institutions, the writers who composed them, and the decisions these figures made before, during, and after the occupation…. <i>The French Writers’ War </i>is an illuminating book and Sapiro deserves to be warmly thanked for her contribution.” - Mattie Fitch (H-War, H-Net Reviews)

The French Writers' War, 1940–1953, is a remarkably thorough account of French writers and literary institutions from the beginning of the German Occupation through France's passage of amnesty laws in the early 1950s. To understand how the Occupation affected French literary production as a whole, GisÈle Sapiro uses Pierre Bourdieu's notion of the "literary field." Sapiro surveyed the career trajectories and literary and political positions of 185 writers. She found that writers' stances in relation to the Vichy regime are best explained in terms of institutional and structural factors, rather than ideology. Examining four major French literary institutions, from the conservative French Academy to the ComitÉ national des Écrivains, a group formed in 1941 to resist the Occupation, she chronicles the institutions' histories before turning to the ways that they influenced writers' political positions. Sapiro shows how significant institutions and individuals within France's literary field exacerbated their loss of independence or found ways of resisting during the war and Occupation, as well as how they were perceived after Liberation.
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Offers an account of French writers and literary institutions from the beginning of the German Occupation through France's passage of amnesty laws in the early 1950s. To understand how the Occupation affected French literary production as a whole, this book uses Pierre Bourdieu's notion of the "literary field."
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Acknowledgments ix
Introduction 1
Part I. The Literary Logics of Political Engagement 11
1. Choices under Constraints 13
2. The Responsibility of the Writer 81
3. Literary Salvation and the Literature of Salvation: FranÇois Mauriac and Henry Bordeaux 158
Part II. Literary Institutions and National Crisis 187
4. The Sense of Duty: The French Academy 191
5. The Sense of Scandal: The Goncourt Academy 243
6. The Sense of Distinction: The "NRF Spirit" 293
7. The Sense of Subversion: The ComitÉ national des Écrivains (CNE) 362
Part III. Literary Justice 437
8. The Literary Court 439
9. Literary Institutions and National Reconstruction 491
Conclusion 537
Appendix 1: Presentation of the Survey 551
Appendix 2: The Social Recruitment of the Literary Field and of Its Institutions 561
Notes 573
Bibliography 677
Name Index 721
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Produktdetaljer

ISBN
9780822351788
Publisert
2014-05-06
Utgiver
Vendor
Duke University Press
Vekt
1125 gr
Aldersnivå
UU, UP, 05
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
277

Forfatter

Om bidragsyterne

GisÈle Sapiro is a sociologist in Paris, where she is Director of Research at the Centre National de la Recherche Scientifique.