Fine Art of Literary Fist-Fighting How a Bunch of Rabble-Rousers, Outsiders, and Ne’er-do-wells Concocted Creative Nonfiction
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Lee Gutkind has been called the “Godfather behind creative nonfiction” by Vanity Fair. He founded Creative Nonfiction magazine in 1994 and is the editor or author of more than thirty books. He lives in Pittsburgh, PA.“When [Gutkind] stops to look back on his own evolving perspective . . . [and] reflects upon his writing career, the choices he made . . . he puts himself, and us, right back in the moment—and the results are vivid, ambiguous, emotionally resonant, fascinating.”—Lucas Mann, <i>Washington Post</i><br /><br />“Lee Gutkind’s brisk historical account of how a set of borrowed modalities became ‘the fourth genre’ is deftly interleaved with anecdotes and insights drawn from a lifetime as a practitioner.”—J. Michael Lennon, <i>Times Literary Supplement</i><br /><br />“The ‘fist fight’ seems an apt metaphor to describe Lee Gutkind’s resolute defense of creative nonfiction—in all its forms. His characteristic thoughtful conviction keeps it new and exciting for the rest of us.”—Yvette Benavides, host of Texas Public Radio’s <i>Book Public</i><br /><br />“<i>The Fine Art of Literary Fist-Fighting</i> offers an insightful overview of the recent history of creative nonfiction and the struggles that early practitioners faced in legitimizing the genre. This is a must-read for <i>all</i> writers.”—Jennifer Anderson, Lewis-Clark State College<br /><br />“Lee Gutkind is not only a master of creative nonfiction. He’s also a crucial catalyst who has meaningfully advanced the field. This honest, engagingly written book tells how it all happened and why creative nonfiction is so necessary.”—Steven Beschloss, director of the Narrative Storytelling Initiative and author of <i>The Gunman and His Mother</i><br /><br />
“When [Gutkind] stops to look back on his own evolving perspective . . . [and] reflects upon his writing career, the choices he made . . . he puts himself, and us, right back in the moment—and the results are vivid, ambiguous, emotionally resonant, fascinating.”—Lucas Mann, Washington Post
In the 1970s, Lee Gutkind, a leather-clad hippie motorcyclist and former public relations writer, fought his way into the academy. Then he took on his colleagues. His goal: to make creative nonfiction an accepted academic discipline, one as vital as poetry, drama, and fiction. In this book Gutkind tells the true story of how creative nonfiction became a leading genre for both readers and writers.
Creative nonfiction—true stories enriched by relevant ideas, insights, and intimacies—offered liberation to writers, allowing them to push their work in freewheeling directions. The genre also opened doors to outsiders—doctors, lawyers, construction workers—who felt they had stories to tell about their lives and experiences.
Gutkind documents the evolution of the genre, discussing the lives and work of such practitioners as Joan Didion, Tom Wolfe, Norman Mailer, James Baldwin, Zora Neale Hurston, Rachel Carson, Upton Sinclair, Janet Malcolm, and Vivian Gornick. Gutkind also highlights the ethics of writing creative nonfiction, including how writers handle the distinctions between fact and fiction.
Gutkind’s book narrates the story not just of a genre but of the person who brought it to the forefront of the literary and journalistic world.