<p>"As our world seems to continually move from one catastrophe to the next without a credible governing leadership, authors like Rancière... force us to conceive of politics differently."<br /> <i><b>LA Review of Books<br /> </b></i><br /> <br /> “The equality of all before the light and the inequality of the little people as the great pass by are both written on the same photographic plate.” With this sentence, Jacques Rancière effectively aligns his conception of aesthetic theory as the always antagonistic distribution of the sensible under the sign of the demand for equality with the invention of photography. It is a beautiful and breathtaking conceit in what is, perhaps, the most beautiful of Rancière’s texts. His accounts here of the figures of history in photography, film, and painting generally - with dazzling accounts of particular works  - expand and deepen his aesthetic theory in intriguing ways. Indeed, I cannot imagine a more inviting entrée to Rancière’s thinking about art, history and politics than this little book."<br /> <b>J.M. Bernstein, New School for Social Research</b></p>

In this important new book the leading philosopher Jacques Rancière continues his reflections on the representative power of works of art. How does art render events that have spanned an era? What roles does it assign to those who enacted them or those who were the victims of such events? Rancière considers these questions in relation to the works of Claude Lanzmann, Goya, Manet, Kandinsky and Barnett Newman, among others, and demonstrates that these issues are not only confined to the spectator but have greater ramifications for the history of art itself. For Rancière, every image, in what it shows and what it hides, says something about what it is permissible to show and what must be hidden in any given place and time. Indeed the image, in its act of showing and hiding, can reopen debates that the official historical record had supposedly determined once and for all. He argues that representing the past can imprison history, but it can also liberate its true meaning.
Les mer
* Jacques Ranciere is a leading French philosopher, particularly well known for his work in aesthetics and political philosophy * In this concise and brilliant text, Ranciere presents a thoughtful analysis of the way in which artworks and films represent historical events and those who were involved.
Les mer
The Unforgettable1. In Front of the Camera Lens2. Behind the Window3. The Threshold of the Visible4. In the Face of DisappearanceSenses and Figures of History1. Of Four Senses of History2. History and Representation: Three Poetics of Modernity3. On Three Forms of History PaintingFilms cited
Les mer
"As our world seems to continually move from one catastrophe to the next without a credible governing leadership, authors like Rancière... force us to conceive of politics differently." LA Review of Books “The equality of all before the light and the inequality of the little people as the great pass by are both written on the same photographic plate.” With this sentence, Jacques Rancière effectively aligns his conception of aesthetic theory as the always antagonistic distribution of the sensible under the sign of the demand for equality with the invention of photography. It is a beautiful and breathtaking conceit in what is, perhaps, the most beautiful of Rancière’s texts. His accounts here of the figures of history in photography, film, and painting generally - with dazzling accounts of particular works  - expand and deepen his aesthetic theory in intriguing ways. Indeed, I cannot imagine a more inviting entrée to Rancière’s thinking about art, history and politics than this little book." J.M. Bernstein, New School for Social Research
Les mer

Produktdetaljer

ISBN
9780745679563
Publisert
2014-07-18
Utgiver
Vendor
Polity Press
Vekt
213 gr
Høyde
198 mm
Bredde
130 mm
Dybde
15 mm
Aldersnivå
UP, 05
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
112

Forfatter
Oversetter

Om bidragsyterne

Jacques Rancière is a leading French philosopher and Professor
Emeritus of Philosophy at the University of Paris-St. Denis. His many books
include The Politics of Aesthetics, Aesthetics and Its Discontents and The
Future of the Image.