Dragon in Ambush by Jeremy Ingalls is a critique and new translation of the first twenty poems of Mao Zedong’s published poetry. This seminal work stands out from previous translations of Mao’s poems in seeing them as an expression of his core political beliefs, rather than for their poetic effect. Instead, Dr. Ingalls shows in consummate detail that Mao was careful and deliberate in employing imagery in his poetry to lay out procedures for political supremacy in which the central drive was his will to psychological domination. That is, domination of the minds of others is the unifying theme of Mao’s verse-sequence.
The crux of Prof. Ingalls’ work lies in her focus on the symbolism in the poems. The poems are, in Mao’s use of them as a means of communication, meaningless on their surface. No image, however seemingly commonplace, is ever employed for merely lyrical or aesthetic description. Every image functions as a factor in an entirely political calculus. According to Dr. Ingalls, “When Mao mentions streams or mountains, suns or moons, clouds or winds or icicles, horses, elephants, snakes, tigers, leopards or bears, specifies kinds of trees or birds or fish, flies, brooms, mats or bridges, these and all his other images have, as their primary function, neither happenstance descriptions nor whimsical metaphor. They all have politically symbolic functions in Mao’s algebra of versified political discourse.”
Furthermore, in her analysis, Prof. Ingalls downplays the significance of Marxism-Leninism in the Thought of Mao Zedong. She shows that throughout his career, Mao regarded Marxism-Leninism as a political convenience, not as a doctrine permanently essential to his master-plan. Just as Mao used the Nationalists of Chiang Kai-shek and Stalin’s Soviet Union as means to further his own political ambitions, so did he manipulate Marxist-Leninist ideology to hoodwink and attract, at home and abroad, professional revolutionaries to help do his bidding. Mao’s aims express, in their worldviews, an entirely Chinese tradition. In his poems Mao’s dialectics, his materialism, and his authoritarianism all take their points of reference from within the Chinese cultural order. Dragon in Ambush is a thoroughly unique and revolutionary approach to understanding the Mind of Mao Zedong.
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Preface
Part 1: Recognizing the Terrain
Chapter 1: Methods of Approach
Chapter 2: A Rationale for Ruthlessness
Part 2: Mao’s Poems 1 – 20
Section A: A Dragon Bides His Time, 1925-1929
Poem 1 Changsha
Poem 2 Yellow Crane Tower
Poem 3 Jingangshan
Poem 4 Chiang’s War
Section B: Hidden Dragon, 1929-1934
Poem 5: Double Yang
Poem 6: New Year’s Day
Poem 7: On the Road to Guangchang
Poem 8: From Tingzhou toward Changsha
Poem 9: Eluding the First Major Encirclement
Poem 10: Eluding the Second Major Encirclement
Poem 11: Dabodi
Poem 12: Huichang
Section C: Dragon in the Field, 1935-1949
Poem 13: Loushan Barrier Gate
Poems 14, 15, 16: Mountain Poems
Poem 17: The Long March
Poem 18: Kunlun
Poem 19: Six Turns’ Mountain
Poem 20: Snow
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Carefully translating and analyzing Mao's first 20 published poems for their political expression, the late Ingalls (poet, scholar, editor, and translator) presents Mao's poetry as an extension of his political thought rather than simply a leisure activity. After all, within China, poems had a long history of playing a role as political gauges. Part 1 establishes the historical and literary background needed to understand Mao's poems and his desire to become China's next emperor. Part 2 provides a more detailed literary, ideological, and textural analysis of each poem through Ingalls's examination of the ideas and words that explain the 'paradox that [Mao] understands but which ... he does not expect all of his readers to perceive.' This is an exceptionally well-written text, with extensive analytical notes, a bibliography, and a glossary of characters used. Readers do not have to be familiar with Mao's poems, but to fully benefit from this work, readers must be familiar with Mao's other writings and the writings of his contemporaries, with Chinese literary tradition, and with Chinese history from ancient times through the 20th century. Summing Up: Recommended. Graduate students, researchers, faculty.
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Produktdetaljer
ISBN
9780739177822
Publisert
2013-05-16
Utgiver
Vendor
Lexington Books
Vekt
807 gr
Høyde
235 mm
Bredde
160 mm
Dybde
32 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
420
Forfatter
Redaktør