This Concise Companion gives readers a rich sense of how the poetry produced in the United States during the twentieth century is connected to the country's intellectual life more broadly. * Helps readers to fully appreciate the poetry of the period by tracing its historical and cultural contexts.

Notes on Contributors viii Acknowledgments xi Chronology xii Introduction 1Stephen Fredman 1 Wars I Have Seen 11Peter Nicholls American poets’ response to war, with particular attention to Ezra Pound, Gertrude Stein, Allen Ginsberg, Robert Duncan, George Oppen, Susan Howe, and Lyn Hejinian. 2 Pleasure at Home: How Twentieth-century American Poets Read the British 33David Herd How US poets responded and reacted to British poetry, in particular, Romanticism, focusing on Robert Frost, Ezra Pound, T. S. Eliot, William Carlos Williams, Wallace Stevens, Marianne Moore, Cleanth Brooks, Charles Olson, Frank O’Hara, and Adrienne Rich. 3 American Poet-teachers and the Academy 55Alan Golding Discusses the relationship between poets and the academy, with attention to Ezra Pound, the Fugitives,Charles Olson, the anthology wars, creative writing programs, African-American poetry, Charles Bernstein,and Language poetry. 4 Feminism and the Female Poet 75Lynn Keller and Cristanne Miller Twentieth-century poetry developed in the context of evolving feminist thought and activism, as demonstrated in the work of Marianne Moore, Gertrude Stein, H. D., Muriel Rukeyser, Gwendolyn Brooks, Sylvia Plath, Adrienne Rich, Sonia Sanchez, and Harryette Mullen. 5 Queer Cities 95Maria Damon The relationship between gay urban sensibility and poetic form, with discussions of Gertrude Stein, DjunaBarnes, Hart Crane, Frank O’Hara, Robert Duncan, Jack Spicer, and Allen Ginsberg. 6 Twentieth-century Poetry and the New York Art World 113Brian M. Reed Poetic responses to New York’s avant-garde tradition in the visual arts, with attention to Mina Loy, WilliamCarlos Williams, Frank O’Hara, John Cage, John Ashbery, Jackson Mac Low, and Susan Howe. 7 The Blue Century: Brief Notes on Twentieth-century African-American Poetry 135Rowan Ricardo Phillips Discusses the effect that the blues and jazz have had on twentieth-century African-American poets, including Paul Dunbar, Langston Hughes, Sterling Brown, Robert Hayden, Gayl Jones, Yusef Komunyakaa, and Michael Harper. 8 Home and Away: US Poetries of Immigration and Migrancy 151A. Robert Lee The ongoing arrival of populations from beyond US borders and internal migration, as reflected inpoetry – WASP to African American, Jewish to Latino/a, Euro-American to Native American. 9 Modern Poetry and Anticommunism 173Alan Filreis A survey of the complex association of modern poetry and American communism (and anticommunism),including discussions of Muriel Rukeyser, William Carlos Williams, Genevieve Taggard, Wallace Stevens, and Kenneth Fearing. 10 Mysticism: Neo-paganism, Buddhism, and Christianity 191Stephen Fredman Why mysticism appeals to American poets and how it affects their poetry, focusing upon Ezra Pound, H. D., T. S. Eliot, Robert Duncan, Charles Olson, John Cage, Gary Snyder, Allen Ginsberg, Denise Levertov, and Fanny Howe. 11 Poets and Scientists 212Peter Middleton Shows how poets, including William Carlos Williams, Hart Crane, Wallace Stevens, Robert Creeley, CharlesOlson, Ron Silliman, Myung Mi Kim, and Mei-mei Berssenbrugge have responded to modern technology and the new sciences of physics and genetics. 12 Philosophy and Theory in US Modern Poetry 231Michael Davidson Addresses the role of ideas and theory in modern poetry, with examples drawn from Wallace Stevens,Ezra Pound, T. S. Eliot, William Carlos Williams, Gertrude Stein, the New Critics, and many others. Index 252

This Concise Companion gives readers a rich sense of how the poetry produced in the United States during the twentieth century is connected to the country’s intellectual life. Written by prominent specialists in the field, the volumehelps readers to appreciate the poetry by situating it within overlapping historical and cultural contexts, including: war; feminism and the female poet; “queer cities”; the influence of the New York art world; African-American poetry and blues; poetries of immigration and migration; communism and anti-communism; and philosophy and theory. Each chapter ranges across the entire century, comparing poets from one part of the century to those of another; and each one balances documentary coverage of context with sharp commentary upon specific poems. The Companion forms an ideal introduction to twentieth-century American poetry for students, while its new syntheses will command the attention of scholars.