"Kafka, Benjamin, Schmitt—that German-speaking writers and thinkers of the early 20th century are obsessed with 'the law' is well-known. Citation and Precedent widens our historical and conceptual perspective. Beebee reconstructs not only a dense intertextual network of law, literature, and philosophy that pervades German culture from Kant to Peter Weiss; he also shows that these crossings and borrowings are driven by the dream, or the nightmare, of a 'culture' capable of uniting law and life, codified norm and everyday reality. This is an excellent book." -- Andreas Gailus, Associate Professor of German, University of Michigan, USA

"Is systems theory (Luhmann) an effective tool for investigating the relationship of law and literature? In a series of subtle and imaginative readings of German-language texts and cultural history, Beebee shows how the autonomy and differentiation of systems allows for registering levels of law's and literature's mutual observation that more common theories of representation fail to capture. Especially fascinating are his analyses of Carl Schmitt's self-identification with Melville's Benito Cereno and Peter Weiss's play on the 1960s' Auschwitz trials." -- William Rasch, Professor, Department of Germanic Studies, Indiana University, USA

In the German tradition, law sometimes looks to literature to convey its decisions, and vice versa. Goethe, Hoffmann, the Grimms, Kleist, Kafka, and others were trained as legal scholars. Beebee (Penn State) explores interactions going beyond "mirror of justice" modality--a topos of literary texts from marriage, economics, and so on--to explain the interaction between law and literature in the German language. In the case of Herder, Hegel, Fichte, and the Grimms, historical and literary examples reveal how laws and legal systems conform to the standards of the people they regulate. By contrast, Goethe treads the legal paths with literary finesse, accommodating, for example, Kant's philosophy of marriage. Kafka, entangled by bureaucratic coded law, forces truth while withholding it in the juridical sense. In the Weimar period, critics like Rudolf Borchardt and Ernst Robert Curtius struggled to differentiate literature from party-political activity. Beebee considers the double and triple meanings of certain German words: Schuld (guilt/debts), Prozess (trial/process), Gewalt (power/ violence), Zensur (censorship/academic grades). Peter Weiss draws paradox out of Werte (values/valuables) in Investigation, a play about the Holocaust, creating a script for trials for which there is no official transcript and thus coupling literature with the legal world. Fine bibliography and index. Summing Up: Recommended. Upper-division undergraduates and above. --L. J. Rippley, St. Olaf College 

- Choice Magazine,