Is conflict inherent to the politics of borders? Recent global events, erupting from national, religious, class, racial and gender boundaries would suggest it is. From the inhumanity of post-Brexit British immigration policy to the violent suppression of women’s freedom in Iran, to Russia’s territorial invasion of Ukraine, and most immediately to the violent conflagration engulfing Palestine, border hostilities seem everywhere characterised by fearful and toxic intolerance of what is deemed other.This book examines the writing of award-winning European novelists to suggest an alternative perspective, one that redresses time-sanctioned hierarchies of mind over body, of ideals over physical reality. It explores novelistic representations of power, war, sacrifice, heroism, national history and identity, all issues more conventionally viewed within a male consensus. The fiction offers a cultural and imaginative response to border conflicts of all kinds, ethical, bodily, religious, and geographical, often drawing upon the writers’ own personal experience of threatening divisions. Examining works by Virginia Woolf, Jenny Erpenbeck, Olga Tokarczuk, Herta Müller, Anna Burns, Chika Unigwe, Maylis de Kerangal, Magda Szabó, Elena Ferranti, Alki Zei, Elif Shafak, and Oksana Zabuzhko, it uses an integrated interdisciplinary approach to combine literary readings with detailed historical and political understanding of cultural context. Coming from many different cultures and histories, these writers speak a common condemnation of all hierarchies of worth and of exceptionalist identities whether sanctified by religion, nature, or tradition. Morris shows how their stories, read here in translation, also articulate a strikingly unified vision of a radical ecological understanding of human relations based on physical continuity and co-existence rather than borders dividing an idealised 'us' from a denigrated 'them'.
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Introduction: Virginia Woolf: Seeing DifferenceChapter 1: Sacrificial Gods Chapter 2: Borders of ParanoiaChapter 3: Bodies Without Borders Chapter 4: Doors of Class and CultureChapter 5: Legends of Heroes, Legacies of HateUkraine: Not a ConclusionBibliographyIndex
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Examines the representation of border conflicts in major and prize-winning political novels by European women writers from the 20th and 21st century.
Examines the literary representation of political borders, conflict and social marginalisation
This will be a major scholarly series focusing on women’s writing across the centuries and up to the present day. The series will celebrate the diversity of women’s writing throughout various genres, including the novel, poetry, drama, journals, diaries and letters etc. It is distinctive in not being restricted to any particular time-period nor to be being restricted to traditional models of periodisation, thereby allowing for greater fluidity and points of transition as in, for example, charting broader themes across time. The ‘Global’ in the title is intended to emphasise the global, transnational aspirations of the series, challenging pre-conceived ideas of cultural difference, exploring diverse understandings of women’s writing, gendered identities, and the potential for literature to create bridges across international and historical divides. Increasingly, research in women’s writing is embracing an interdisciplinary focus that allows dialogue between literary texts by women and the social and cultural contexts of their writing and reception, often revisiting and reframing our understandings of dominant historical and contemporary accounts. This interdisciplinarity will be highlighted in this series, as will a feminist intersectional approach that takes into account the diverse ways in which social positioning impacts identities, embodiment, and experience as these are explored in women’s literature.
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Produktdetaljer

ISBN
9781350434059
Publisert
2024-10-03
Utgiver
Vendor
Bloomsbury Academic
Høyde
234 mm
Bredde
156 mm
AldersnivĂĽ
P, 06
SprĂĽk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
224

Forfatter

Om bidragsyterne

Pam Morris is an independent researcher and writer. She was previously Professor of Modern Critical Studies and Director of the Research Centre for Literary and Cultural Studies at John Moores University, UK.